Because You Asked What I Think About...Dan Harmon Returning To Community

IT'S FUCKING AWESOME.


When companies like Sony realize that quality programming can be more lucrative than shitty programming, it's a step forward for all of us.  We're living in the future, and I guess that means sometimes good things happen and the right decisions are made! And Dan Harmon is wonderful and should be making as much television as possible and I can't wait for Abed to be Abed again.

Try not to speculate too much.  Just let it be whatever it will be.  Have faith.

Christopher Robin Has Left The Study Room

I've been avoiding writing this post.

I have now seen the first two episodes of the new season of Community and honestly, I don't have too much to say.  It's not great.  It's not the show I fell in love with.  It is instead a Bizzaro version of the Greendale world that resembles far too closely the traditional sitcoms it used to skewer so well, and even the actors, whom I adore, seem to be fumbling to find out who their characters are now that they're not a pure embodiment of Dan Harmon's neuroses.

Donald Glover is handling it the best; all of the even-approaching-funny lines last night came from him ("Things.") and he's such a brilliant comedian that's he's making the best of a difficult situation.  Danny Pudi seems to be struggling to find the right tack to take - he's still playing Abed, but Abed is being written very differently now and you can sense his discomfort with the changes.  The character faring the worst is definitely Britta, who was a delicate and complex balance of awkward to begin with and has now become clumsy and obvious.

But it's not just the writing of the characters that's off - it's the staging.  Harmon knew when to pull out all the pop culture stops and when to scale back and focus on relationships, and these first two episodes try to mash it all together with very little success.  Everyone on Twitter was talking about how the Valloween episode was "a REAL Community episode" but it felt hollow compared to "Epidemiology" or even "Horror Fiction in Seven Spooky Steps". Abed and Troy's Calvin and Hobbes costumes were a great visual joke that made me smile but were tragically never used or referenced to any other comedic effect.  The Dean wearing a wig for his ring-girl costume just felt WRONG, like a joke from some other show.  There was an attempt at a Clue reference that was hasty and half-assed and the big reveal of Hawthorne Manor wasn't anywhere near as exciting as the glimpse in to Joan Callamezzo's bedroom that Parks & Rec gave us last year.  And the through-line of Jeff's daddy issues was painfully forced and completely inauthentic to his character.  Remember in "Advanced Documentary Filmmaking" when Jeff straight-up BEAT UP PIERCE because of his anger at his dad (and, to be fair, at Pierce)?  If the new Community insists on having a selective memory towards its characters' motivations, it is going to fail.

Surprisingly, one of the things I miss most about Harmon's absence is his skill at incorporating the right kind of music into a scene, whether it's ambient or the Dean's Abba/grocery playlist.  Watching these first few episodes the scenes felt empty, like they were missing a character - the character of Harmon.  I know that Community still has some of the same writers and directors, but, for me at least, every scene feels like an attempt to recreate a magic that simply doesn't exist anymore.  It lacks the childlike joy that Harmon  imbued into the entire show.  Community has become The Thousand Acre Wood without Christopher Robin - a bunch of characters who like each other alright but are missing the one person whose imagination created and connected them in the first place.

I held out hope for the new Community, but the sad truth is this astounding show was so wonderful because it was hilarious yet bursting with heart - the heart of a man named Dan Harmon.  Without that injection of honest and passionate emotion, Community is just another sitcom on a network that increasingly does not understand what young, intelligent viewers want to see.  And even though Donald Glover can still make me laugh, the empty, unbearable sadness that blankets every Harmon-less scene has turned my favorite show into something I dread even having to talk about. 

So I'm gonna go listen to some Harmontown and turn that frown upside down.

Image via reddit

Weird. Weird weird weird.

If you're wondering what I thought about last night's premiere of Dan Harmon-less "Community", well...I'm about to go out of town, so you'll have to wait.  I'll have more to say once I watch it again and give it some time, but my feelings are pretty well summed-up by this tweet:

It's like, I love it because it's Community and I love Community, but it simultaneously makes me unfathomably sad. @nbccommunity @danharmon
— Lauren Renee (@the_hedgepig) February 8, 2013

So.  You should watch the episode if you haven't already - I'm really interested to know what other fans think.

Wherein I Brave The Wilds Of Harmoncountry

This past week I went to the Harmontown show in San Francisco (listen to it here!).  I volunteered to go up on stage during Erin McGathy's This Feels Terrible (listen to it here!), and was called back up during Harmontown itself. The following is a description of my night to my friend Casey, who knows nothing about Harmontown beyond who Dan Harmon is.

***

me: oh my god so i went to the Harmontown show ALONE because Katherine bailed on me

Casey: alone is not necessarily a bad thing...

  opportunity to find people to not be alone with with

me: yeah, it was fine, I wasn't stressing it. and I ended up going on stage and talking about my relationship issues and did a really poor job explaining what happened with Isaac and talked a little about David and how awesome people from Arcata are and my tendency to hook up with all of my friends. and I called myself a proud slut which I should have qualified with the very true fact that I am really good at having casual sex but am lazy and picky and don’t actually just fuck random people but I didn’t really and the rest of the night hella guys were being HELLA creepy towards me, which I guess is to be expected after something like that.  and Erin tried to set me up with the other guy on stage and got moved to a much better seat and he was pretty lame but it didn't really matter because then we went on stage again

and got asked what the chances were that we were gonna make out and the dude says, very confidently, “I’m gonna go with 95%” and I give him a look

UGH, The Worst! 2012

Because when you have a blog you make lists at the end of the year otherwise it's not a real blog.

Lena Dunham/"Girls"

This was the year in which an uber-privileged white girl wrote a show called "Girls" in which the people of color that populate New York City became a backdrop upon which to paint a portrait of said privilege.  The fact that Dunham knew exactly what she was doing and made a conscious decision to NOT include any queers or POC in significant roles on her show makes it all so much worse.  And yet, even after a brutal take-down by critics, blogs, and viewers, white people's love of watching neurotic white people won out.  The AV Club, which is my go-to place for online TV criticism, wrote this and I died a little inside:

My Harmontown Evening

So, depending on whether you know me in real life, you may or may not know that I went to Harmontown tonight.  If you don't know what Harmontown is, I'm not going to explain to you here.  Go listen to the podcast, it's amazing and engrossing and funny and weird and, like most television, best when enjoyed serially.

Afterwards, my friend Matt and I went to The Drawing Room along with some of the folks from the podcast and I expressed my love and admiration for Spencer (who looks precisely like a Dungeon Master SHOULD look, ie very wise and bearded) and talked briefly with Dan Harmon who I THOUGHT had been putting Sam Cooke songs on the jukebox which would've been awesome but instead was getting money from the ATM which was completely normal if not totally awesome.  But he was hella chill and cheersed me and I felt too weird to engage him in a conversation about his inadvertent Lindsey Weir costume which probably would've taken some explaining and man, it's like, I'd really like to just talk to these guys (Jeff Davis included, he's so adorable & I was gonna say impish but really it's Deanish) but even at a tiny bar post-Harmontown I feel like I'm imposing which is my own constructed bullshit & probably partly Matt's fault (sorry, Matt) but that doesn't mean it makes me feel magically confident (which I usually am, BTW, magically confident is kind of my middle name) or anything.

There's this weird paradox with comedians-as-celebrities where, because these days they often share a lot of their real, personal selves with the public, they seem more accessible.  And man, I can't wait until I live in LA and can go to Harmontown every week and become the token queer chick and all of that.  It'll happen.  But until then I just feel like an asshole talking to them.  They don't want to talk to me.  They want to talk to their friends!  And while *I* think I'm awesome, thinking that in public makes me an asshole.  Or maybe not, who fucking knows.  I still can't really figure out what's going on with some of the Harmontown regulars who are, as my friend Katie would say, totally Aspy.  Part of me wants to act just like them and put myself out there, and part of me hates them for being just as narcissistic as I myself definitely am.

I think that last sentence sums up a lot of aspects of LA culture.

In conclusion, Sir Dan Harmon:  I am even more awesome than everyone else (yes, I am an "awesome" girl, Dan).  I enjoyed the "Fag" anecdote as much as I enjoyed the faggot episode of South Park, which is to say A WHOLE FUCKING LOT...but wish you had called for at least one of us gays to join your multicultural coalition (I would've been much more funny and MUCH less creepy than the Puerto Rican girl).  I could sit in a tiny room and watch you all play Dungeon and Dragons FOR YEARS.  And wearing that coat with even semi-baggy jeans makes you look like you're in a half-hearted Lindsey Weir costume.  JUST FYI.  All you need is a brunette wig and to get Jeff wicked stoned so he can be Jason Segel.

Wish I could be there for Jarreth week next week.  Come on tour to San Francisco.  Next time, make the jukebox your bitch.  And I love you all forever, in the least creepy and most narcissistic way possible.

Thus ends my first LiveJournal entry in many a year.

Talkin' 'Bout Community On The Internets

I had the privilege to engage in a thoughtful discussion with my blogcrush, Gabe Delahaye, on Videogum today.  It was great, and everything I love about the Internet.  Even though I had to write it three times.  Check out the original post, and then scroll down to the end to read our comments.  Or you can read the entire thread after the jump.

Why We Should All Be Effing Pissed About Dan Harmon Being Fired

In case you missed it, since The Man did everything they could to make sure you would miss it, Dan Harmon was fired as showrunner of Community on Friday.  I highly recommend you go read about it in his own words because, like so much else that he does, it's funny and poignantly sad.

Done?  Okay, so here's why this sucks:  they figured out a way to cut the creative balls off of Community without killing it outright.  Look, clearly they've been gunning for Community for a long time.  Business men don't like shows that are smart because they might have to put some actual work into properly marketing them.  But when they tried to quietly kill it back in December, the Internet exploded.  Fans went crazy.  The comment thread at The AV Club's post for "Regional Holiday Music" exceeded 30,000 posts.  Community won not only Splitsider's tournament for The Best Sitcom Episode Ever, but also Hulu's Best In Show competition.  While I'm sure that the people in charge would have loved for Community to die a quiet death after airing the back ten episodes, that obviously wasn't going to happen.

Then two unfortunate things occurred.  Well, one occurred a year ago when Harmon's contract was only renewed for one instead of the usual two seasons.  The second was the Chevy Chase debacle.  Who knows how much effect Chevy's dickishness and Harmon's poor handling of the situation had on THIS situation, but you can bet it didn't help anything.  If nothing else, it provides enough reasonable doubt so bloggers like me will speculate on it since no one, not even Dan Harmon, really know all the reasons he was let go.  But I think that mishandled event is more of an excuse than an impetus for this disaster.

Taking Dan Harmon off of Community is like slaughtering Khal Drogo's horse.  It's like Peeta after the tracker jacker torture or McMurphy post-lobotomy.  They cut out the part that fights for what is good and right in this world.  They cut out the originality and the creativity and the magnificent, not-a-fuck-giving mind that created this show that speaks so wholeheartedly to my generation.  And look, it's not like Community is going to be bad; I have faith that as long as Megan Ganz is in the writing room, things will be alright.  It's not like the remarkably talented cast is going anywhere.  But it will not be the same groundbreaking, inspiring show it has been.  And that's because neither NBC nor Sony has ever shown much of an interest in supporting or marketing the show, but they also didn't want to anger all the millions of fans by cancelling it, so they first moved it to goddamn Fridays after goddamn Whitney (while The Office keeps its lazy, decomposing ass parked at 9 pm Thursdays) and then sneakily went in, cut off the head, legs, and balls, sent a press release to TV Guide at 7 pm on a Friday, and hoped no one would notice.  Well, guess what?  Notice taken, assholes.

So, other than the idiots who run television taking a big ol' dump on the fans and viewers that support them, why should we be pissed about this?  Because Dan Harmon is a champion for a new kind of television.  From its pilot episode, Community has celebrated diversity, not just in terms of race and gender and age and sexuality, but in terms of personality.  Harmon, like Matthew Weiner, personally fought for more women in the writing room, and as a result developed some of the most interesting, well-rounded, and hilarious female characters on television.  Community is all about diverse people coming together and forming a - what's it called? Oh, right, a community.  Is there another sitcom on television that features so many actors of color?  Nope.  Is there another sitcom that presents a queer character who likes to cross-dress in such a loving, non-judgmental light while still celebrating his inherent humor?  Sadly, no.  No other show has the temerity to take on a character like Fat Neil with such studied compassion, or to use an elderly character like Leonard to such a consistently brilliant degree.  Community has covered religion, lesbians, poor people, racist gardeners, racist parents, homophobic parents, plain shitty parents, racist grandparents, weight issues, bullying, class issues...and NONE of it has been preachy or saccharine.  Community has dealt in human emotions and chose to focus on what unites us instead of what divides us.  It has presented different kinds of people as PEOPLE, not as stereotypes.

I saw all this as the future of television.  But it seems like the people in charge don't see it that way at all.  Watching the upfront trailers, my stomach dropped lower and lower as white face after white face flashed on my screen (notable exception being The Mindy Project, which looks great and I can't believe NBC didn't pick it up except I can because they're obviously frittataed).  Network television looks whiter than it did in the 90s.  And Ryan Murphy gets to continue perpetuating his favorite stereotype that the only gays that matter are young white males.  What I wouldn't give for a funny queer chick on TV....

So, yeah.  I'm pissed, and sad, and currently trying to figure out what I need to do to get a job in television production so I can start changing things from within.  Dan Harmon has spent the last three years challenging our ideas of what television could and should be; he has given a voice to those who have for so long been voiceless; he created Troy and Abed, two of the best television characters of all time played by two of the very best comedic actors (not that the Emmys have noticed, because, you know, racism).  For me, he created a show that so clearly exemplified what I love about television that it helped me realize my passion and inspired me to work towards a career in the industry.  So I will stand with Dan Harmon in whatever he decides to do next (and it hopefully involves Chris McKenna, who left the show in solidarity with Dan), and we'll just have to wait and see what happens with Community next season.  Although the threat of cancellation has hung over the show all year, that thankfully allowed Harmon & Co. to pull out all the stops and fill this season with awesomeness.  Yesterday when I was mourning by rewatching most of season three, I kept thinking how appropriate the theme song is, and has been to this show.

"Gimme some more time in a dream

Gimme the hope to run out of steam

Somebody said it can be here

We could be roped up, tied up, dead in a year"

Dream big, don't give up, fight for what's right, and write every show like you're about to get cancelled - THAT'S how you make great television.  The season finale wrapped up in what would have been a satisfying series ending, and we'll just have to hope that when Abed steps into his mini Dreamatorium, he's imagining an alternate, far happier timeline.

Thanks for everything, Dan.

Images via aspecialthing, videogum

Stuff We've Got To Talk About

Ok, I've got 45 minutes before I have to get in the shower and head off to meet a friend, so let's get to it!  So much going on...so here it is, in absolutely no particular order.

Oh, the Chevy Chase/Dan Harmon thing makes me SO SAD.  Without knowing any more than what anybody else on the internet knows, my take on it is that these dudes are both just too cranky and too narcissistic to ever get along.  However, in the over-all scheme of things I've got to side with Harmon.  Chevy has been vocal about his disdain for sitcoms since the beginning, and doesn't seem to be able to understand how transcendent Community really is.  Here is a guy who has been, since the real beginnings of his career on SNL, a superstar, and has the ego to match.  I'm betting his agent or manager or someone convinced him to do Community in order to get his face out there to a younger audience and that Chevy didn't bet on the show becoming the phenomenon it has.  Additionally, I think the Pierce character hits a little too close to home for him sometimes.  I don't mean the daddy issue stuff (although, who really knows), but the old man/out of touch/hopelessly un-hip stuff ("Encarta it" ahahahahaha).  I bet before this show Chevy still thought of himself as being a classic bad-ass, but the writing has forced him to look his own old-man-ness in the face.  Anyway, that's just my take on it, who effing knows.  I think it was bad form for Chevy to walk off the set, and it was bad form for Harmon to chant, "Fuck you, Chevy" at the wrap party (although I do think that's pretty funny), but it was really bad form for Chevy to leave such a horrible message for the guy that is his BOSS.  And sorry, but calling D. Harms a bad writer doesn't hold water because everyone in the world knows that the opposite is true and that he's actually The Best writer (and I'm sure that Dan could care less about Chevy telling him to suck his cock).  Threatening to leave the show over this is a selfish, petty, childish, TOTAL DICK MOVE.  Honestly, I wouldn't care THAT much if he left - the incredible cast could pick up his slack - but the threat to do so just pisses me off.  Chevy needs to get over himself, stop thinking he's above doing television, and maybe if he were a little more respectful than stuff like this wouldn't happen.  Hmph.

Community At PaleyFest

It's been almost two weeks since I saw Community at PaleyFest, and I know I probably should have written about it before now seeing that the Internet is going to blowing up with Community-related bidness tonight and tomorrow, but I don't care.  The posts come as they come, folks.  Anyway, it was an amazing night.  One of the reasons I've waited so long to do this is that the way the panel made me feel is almost ineffable.  But I'm getting ahead of myself.

My seat was in the third row.  I can't emphasize enough how much of a difference that made.  Being close enough to not only see but also hear every little thing that was going on with the people on-stage was like being let in on a secret.  Watching the panels on LiveStream or even from farther back in the theater where you have to rely on the big screen is an incomplete experience.  The camera usually only shows 1-3 people at a time, but often the rest of the panel is doing or saying something that you would also like to see or hear, or the camera isn't quick enough to catch a quick visual joke that someone makes.  Danny Pudi and Ken Jeong in particular were sitting together and were basically just making jokes and having fun the ENTIRE time.  It was maravilloso.

Danny must hate his job

So the TV critic who's running the panel (my future job, fingers crossed) came out and introduced Dan Harmon, who then came out and gave a little talk that was equal parts grump and gratitude.  I love how little he cares about what anybody thinks of him and also his visible graciousness to his fans.  That was something that was apparent over and over again during the night: the people who work on Community know how much their fans love them, and the impact that the fans have had on the show's (hopefully rising) success, and they seem to be happy and even eager to do what they can to return that love.  So.  Basically they are all amazing people making an amazing show and I love them all.  The end.

Look at Danny's face!

Just kidding!  There is so much more!  Mr. Harmon introduced the episode that premieres tonight, "Urban Matrimony and the Sandwich Arts" (ahahahaha what?!) and then we got to watch it!  On the big screen!  Which was awesome.  I honestly don't remember much more than the basic plot of the episode because I was so hyped up on adrenaline, white wine, and love, but I remember it being VERY funny and having so many things I adore (Dreamatorium, anyone?) and laughing pretty much constantly and thinking, "Wow, they sure packed a crazy ton of jokes in here for the fans".  So be excited.  What's the opposite of a disappointment?  Because this episode is it.  I was able to scribble down one singular quote, which I believe was from Britta:  "I know what [an analogy] is! It's like a thought with another thought's hat on!"

So after the episode the panel came out for the discussion.  It included Harmon, two or three writers/producers, and the entire cast excepting Donald Glover and Chevy Chase.  During the Q&A somebody asked why Chevy never came to these things, which I thought was both rude and also wrong, because I've watched him on at least one of these panels before.  They were all like, "Uh, he does when he can.  He's busy.  He's Chevy Chase.  So rude! (words and emphasis mine)"  Basically the critic/moderator asked questions and people would answer them or just talk about whatever.  I'll admit, in the past I've been kind of bored by these types of panels, but what made this one so great is that everyone just used it as an opportunity to not only give a lot of love to the fans and share some cool behind-the-scenes tidbits with us, but also just to make a ton of jokes and be incredibly funny.  Danny Pudi and Ken Jeong were rocking it (I can only imagine what kind of fembot explosion I would have gone through had Donald Glover & his overwhelming hotness & mad improv skills been there), but Joel McHale was also totes killing it with his off-the-cuff one-liners and Jim Rash was/is (a) an amazing genius and (b) the toast of the theater/Internet, fresh off his Oscar win/successful mockery of Angelina Jolie.  This is where it became obvious that sitting up close was crucial.  While one person would be answering a question, somebody else would be telling a quiet joke to their neighbor, or, more often than not, doing a physical comedy bit, and the camera would miss it.  But not me!

Community, Out There Being Awesome

So I don't particularly like talking about The Emmys, because they're mostly dumb and meaningless - you just can't judge a show by watching one or two episodes of it, that completely negates all of the work tv shows do building character arcs and whatnot - but thankfully, I don't have to, because Abed did it for me! You can read this awesome bit ostensibly written by Abed Nadir that will serve to remind you how many awards Community deserves HERE.

Thankfully, The AV Club has done a four-part interview with Dan Harmon, the creator of Community, where he goes through the second season of the show episode by episode, is remarkably self-deprecating and honest, and gives some great insight into how the show is made. HERE is the link to the third part of the series; links to parts one and two can be found at the top of that page - the fourth part will be posted tomorrow.

Enjoy!

Greendale's The Way It Goes

*the sound of clock tower chimes plays on a cassette tape boombox*

It is time. Time to talk about Community, the little comedy that could.

So, what is Community even about, Girl?

Community is a show about a community college called Greendale that is ostensibly set in Colorado, but it definitely never snows there. Although Jeff Winger (Joel McHale) is the Theoretical Main Character (TMC), it is absolutely an ensemble comedy, with each character (including Dean Pelton (Jim Rash), Senor Chang (Ken Jeong), and Professor Ian Duncan (John Oliver)) filling a key role. The main action centers around a study group that is so diverse it includes "one of every kind," as the diversity-obsessed Dean remarks upon entering. The show follows the study group (and the Dean and various Professors) as they pass time each semester, searching for the easy classes and struggling to maintain their personal identities as they all face various comedic crises. Sounds awesome, right? Before we go any further into the show as a whole, I want to delve into each individual character.

Abed

(Dean Pelton's voice blasts over the PA, announcing there will be continued announcements) "I like it. It makes every ten minutes feel like the beginning of the new scene of a TV show - of course the illusion only lasts until someone says something they'd only say on TV, like, how much their life is like TV. There - it's gone."

Just as Jeff is the Theoretical Main Character (TMC) of Community, I have friends who believe that Abed (played with comedic brilliance by Danny Pudi) is the Actual Main Character. I don't agree - to me, Community really is an ensemble piece - but I do believe that Abed is the heart and soul of the show. Although he's never reveals it explicitly, it is understood that Abed has Asperger's, and that before coming to Greendale he had immense trouble making personal connections and being understood, even by his own family. Dan Harmon, the show's creator, mentions in the commentaries that Abed has a large Asperger's fan base - people with the syndrome appreciate the positive representation that doesn't focus on the negatives but instead presents a complicated, brilliant, and well-rounded character who has "self-esteem coming out [his] butt". It doesn't hurt that he's hilarious. Within minutes of the pilot beginning, Jeff tells Abed, "I see your value now," and Abed replies, "That's the nicest thing anyone's ever said to me." When, by the end of the episode, those lines are reversed, the viewer really sees Abed's true value - as a shaman who will give you soup, yes, but also as an unlikely mentor and guide for Jeff. Because he is an incredible observer, Abed is able to offer the best advice and insight on emotional and interpersonal issues that he may struggle with himself.