Why We Should All Be Effing Pissed About Dan Harmon Being Fired

In case you missed it, since The Man did everything they could to make sure you would miss it, Dan Harmon was fired as showrunner of Community on Friday.  I highly recommend you go read about it in his own words because, like so much else that he does, it's funny and poignantly sad.

Done?  Okay, so here's why this sucks:  they figured out a way to cut the creative balls off of Community without killing it outright.  Look, clearly they've been gunning for Community for a long time.  Business men don't like shows that are smart because they might have to put some actual work into properly marketing them.  But when they tried to quietly kill it back in December, the Internet exploded.  Fans went crazy.  The comment thread at The AV Club's post for "Regional Holiday Music" exceeded 30,000 posts.  Community won not only Splitsider's tournament for The Best Sitcom Episode Ever, but also Hulu's Best In Show competition.  While I'm sure that the people in charge would have loved for Community to die a quiet death after airing the back ten episodes, that obviously wasn't going to happen.

Then two unfortunate things occurred.  Well, one occurred a year ago when Harmon's contract was only renewed for one instead of the usual two seasons.  The second was the Chevy Chase debacle.  Who knows how much effect Chevy's dickishness and Harmon's poor handling of the situation had on THIS situation, but you can bet it didn't help anything.  If nothing else, it provides enough reasonable doubt so bloggers like me will speculate on it since no one, not even Dan Harmon, really know all the reasons he was let go.  But I think that mishandled event is more of an excuse than an impetus for this disaster.

Taking Dan Harmon off of Community is like slaughtering Khal Drogo's horse.  It's like Peeta after the tracker jacker torture or McMurphy post-lobotomy.  They cut out the part that fights for what is good and right in this world.  They cut out the originality and the creativity and the magnificent, not-a-fuck-giving mind that created this show that speaks so wholeheartedly to my generation.  And look, it's not like Community is going to be bad; I have faith that as long as Megan Ganz is in the writing room, things will be alright.  It's not like the remarkably talented cast is going anywhere.  But it will not be the same groundbreaking, inspiring show it has been.  And that's because neither NBC nor Sony has ever shown much of an interest in supporting or marketing the show, but they also didn't want to anger all the millions of fans by cancelling it, so they first moved it to goddamn Fridays after goddamn Whitney (while The Office keeps its lazy, decomposing ass parked at 9 pm Thursdays) and then sneakily went in, cut off the head, legs, and balls, sent a press release to TV Guide at 7 pm on a Friday, and hoped no one would notice.  Well, guess what?  Notice taken, assholes.

So, other than the idiots who run television taking a big ol' dump on the fans and viewers that support them, why should we be pissed about this?  Because Dan Harmon is a champion for a new kind of television.  From its pilot episode, Community has celebrated diversity, not just in terms of race and gender and age and sexuality, but in terms of personality.  Harmon, like Matthew Weiner, personally fought for more women in the writing room, and as a result developed some of the most interesting, well-rounded, and hilarious female characters on television.  Community is all about diverse people coming together and forming a - what's it called? Oh, right, a community.  Is there another sitcom on television that features so many actors of color?  Nope.  Is there another sitcom that presents a queer character who likes to cross-dress in such a loving, non-judgmental light while still celebrating his inherent humor?  Sadly, no.  No other show has the temerity to take on a character like Fat Neil with such studied compassion, or to use an elderly character like Leonard to such a consistently brilliant degree.  Community has covered religion, lesbians, poor people, racist gardeners, racist parents, homophobic parents, plain shitty parents, racist grandparents, weight issues, bullying, class issues...and NONE of it has been preachy or saccharine.  Community has dealt in human emotions and chose to focus on what unites us instead of what divides us.  It has presented different kinds of people as PEOPLE, not as stereotypes.

I saw all this as the future of television.  But it seems like the people in charge don't see it that way at all.  Watching the upfront trailers, my stomach dropped lower and lower as white face after white face flashed on my screen (notable exception being The Mindy Project, which looks great and I can't believe NBC didn't pick it up except I can because they're obviously frittataed).  Network television looks whiter than it did in the 90s.  And Ryan Murphy gets to continue perpetuating his favorite stereotype that the only gays that matter are young white males.  What I wouldn't give for a funny queer chick on TV....

So, yeah.  I'm pissed, and sad, and currently trying to figure out what I need to do to get a job in television production so I can start changing things from within.  Dan Harmon has spent the last three years challenging our ideas of what television could and should be; he has given a voice to those who have for so long been voiceless; he created Troy and Abed, two of the best television characters of all time played by two of the very best comedic actors (not that the Emmys have noticed, because, you know, racism).  For me, he created a show that so clearly exemplified what I love about television that it helped me realize my passion and inspired me to work towards a career in the industry.  So I will stand with Dan Harmon in whatever he decides to do next (and it hopefully involves Chris McKenna, who left the show in solidarity with Dan), and we'll just have to wait and see what happens with Community next season.  Although the threat of cancellation has hung over the show all year, that thankfully allowed Harmon & Co. to pull out all the stops and fill this season with awesomeness.  Yesterday when I was mourning by rewatching most of season three, I kept thinking how appropriate the theme song is, and has been to this show.

"Gimme some more time in a dream

Gimme the hope to run out of steam

Somebody said it can be here

We could be roped up, tied up, dead in a year"

Dream big, don't give up, fight for what's right, and write every show like you're about to get cancelled - THAT'S how you make great television.  The season finale wrapped up in what would have been a satisfying series ending, and we'll just have to hope that when Abed steps into his mini Dreamatorium, he's imagining an alternate, far happier timeline.

Thanks for everything, Dan.

Images via aspecialthing, videogum

The Community Conundrum

So, I've been watching Season 2 of Community for probably the fifth or sixth time, and it is still impossibly hard for me to understand just why this amazing show is not more successful. Oh, sure, you can point to the Dinner With Andre episode or the Hearts Of Darkness episode as examples of how esoteric the show can be, but for every episode like that, there are ten that are incredibly funny in a remarkably simple way. People constantly talk about how smart Community is, and they're right, but that's not the ONLY thing it is. It's not usually smart in the way that Arrested Development is smart - a sort of tricksy, dirty, pulling-one-over-on-the-censors kind of way (sometimes Community does do these kinds of jokes, and I love them, but that's not the point). Community's comedy is mostly just really funny, straight-up jokes. What differentiates it from other, non-mockumentary sitcoms like its timeslot competitor, The Big Bang Theory, is that Community's jokes are well-written. Awesomely-written, in fact. The writers and producers have a vision and a great deal of investment in their characters and they write incredible jokes for them. On top of that, Community has a stellar cast of comedians with some of the best improvisational skills, with Donald Glover leading the pack. Did you know "Set phasers to 'love me'" was an improv? He's stupendous. What makes people call Community "smart" is that they're simply not doing the same tired jokes that sitcoms have been doing for years. Once you scratch the surface, one Chuck Lorre sitcom is pretty much exactly the same as another - tired jokes about gender roles or fat people where glorified assholes are dicks to and then sleep with women much more attractive than they are. Throw in some thinly-veiled homophobia and you've got 83% of sitcoms on the air. Community's brand of comedy doesn't generally require the viewer to think or be knowledgeable about anything erudite or complicated - it just requires an openness to jokes that don't reinforce all the stupid, previously-constructed concept of what a sitcom is. Sitcoms don't have to all be "Men and women are so different! How will they ever get along in this crazy world? Also, don't get too close with that good friend of yours or people will think you're gay!" Community proves these shows can be silly, whimsical, creative, heartfelt, and, best of all, surprising, while still being continuously laugh-out-loud hilarious.

"Lights, Camera, Dean!"

So I know that Dan Harmon totally acknowledged the obscure nature and unmarketability of last week's episode of Community. Coming on the heels of Almost The Worst News Ever, that Community will be going on hiatus in January (I'm still in denial about it), Documentary Filmmaking: Redux aptly demonstrated both what an incredible, brilliant show Community is and also how it is too smart for its own good. The shows that make it really big (your Two And A Half Mens, your Family Guys, your Big Bang Theories, your Modern Families) are shows that don't require thought or evaluation; shows that don't challenge the way the audience views television. Community, on the other hand, is all about challenging and evaluating the way the audience views (and thinks about, and writes about) television. One of the reasons it's such an internet darling is that there is so much to dig in to and dissect and really write about. Yes, it's a hilarious show. But it's also intelligent and subversive and character-driven and very, very meta and so the comedy doesn't always come from one-liners. Usually an episode of Community has more jokes than I can put in my Notes & Quotes section, but Documentary Filmmaking: Redux didn't really have very many of those at all. The comedy was either visual (I could watch Jeff be The Dean ALL DAY LONG), a delicately-handled long-term payoff (seeing Luis Guzman wandering the halls of Greendale and standing next to his own statue), or whatever The Dean's descent into insanity was (um, awesome?). Episodes like these are definite third season episodes, where all of the characters and their different capabilities for growth have been established, so they're all just let loose in a crazy situation and we get to see what happens. Episodes like these are proof that television CAN be an art form when given the time and support to explore new realms. TV doesn't just have to be 19 minutes of jokes about celebrities and reinforced gender roles. Documentary Filmmaking: Redux was one of the weirdest episodes of Community yet, and that's why I loved it so much. I know this show has an audience, somewhere out there in the ether - NBC just needs to figure out how to draw in more obsessive, television-loving weirdos like me.

Notes & Quotes

"Stop saying I'm different!"

"Some flies are too awesome for the wall."

"Will your story be yet another sad one about yet another man who just wanted to be happy, or will your story acknowledge the very nature of stories, and embrace the fact that just sharing the sad ones can sometimes make them happy?"

I want that on a poster on my wall, next to a big picture of Abed.

OMG Troy and Britta! I love how their relationship has been quietly, subtly building for almost a year now, and I can't wait to see how it pays off. I hate you, NBC.

Image via TVLine

"Who ARE these people?"

Ok, let's see. With so much tv happening these days, I keep getting overwhelmed and putting off posts that I want to write until it's pretty much too late to write them. So I'm just gonna make a list of points and go down it, as I am wont to do.

- After re-watching last week's Community, I take back whatever I said about it in my last post. It was great. Everyone was great. The Chang part was a little weird, but I'm past it. Omar was great, like always. Danny Pudi's facial expressions and Donald Glover's line delivery were, like always, the best. Strike that and reverse it, and they're still The Best. "Second paintball."

- I have watched the first two episodes of House out of curiosity but man have they lost me now. I really just don't have time for the same old bullshit and House's hair is ugly and although I find Charlene Yi charming she is a terrible actress and not made for network tv and really that show is just SO BAD! So bad.

- How I Met Your Mother is actually getting better this season! I mean, it's still not up to Swarley par, but it's much better than last year. Bringing Kal Penn on was a great idea, and definitely brings some tension to the Barney's wedding plot point even though obviously Barney and Robin are getting married but also obviously they have to do something interesting to get us there. So. Good news! Also loving the Ducky Tie. That whole episode was great and boobariffic and would have been perfect had it not been for Victoria whom I despise.

"First off, pop pop!"

It is difficult for me to express how much I love Community. Last night as I was falling asleep, I had a hypnogogic vision that I was dying in a hospital bed. “Bring me Community dvds please,” I said, and in that moment I regained enough consciousness to note how deep my devotion to this show goes. It is literally the show I want brightening my last moments on this earth.

I'm not going to go into a whole plot recap – it was too fabulous for that, and besides, you should go watch it yourself. But I will talk about the noteworthy moments.

For as great as “A Fistful Of Paintballs” was, there's no doubt that “For A Few Paintballs More” took that momentum and ran with it. Josh Holloway was a little underutilized in his role as the Black Rider, serving mostly to provoke Jeff's insecurities. The western theme was fun, gave Annie some great (and sexy) work to do, tied nicely into the “Pierce being kicked out of the group” plot, and made us want more. But there was no way it was going to beat a Star Wars homage. Abed as Han Solo, Jeff and Troy duking it out for the leadership role, Shirley kicking ass just so she can go home, Darth Vader in an ice cream cone, Britta's unlikely partnership with Leonard – all gold.

It's a locomotive that runs on US!"

Man, there were so many jokes in tonight's Community, "Paradigms Of Human Memory", that I almost don't know where to begin.

Let's start with the concept of this episode, an obvious riff on the classic sitcom flashback trope. For decades this has been an easy way to get through an episode in the late season lull - you construct the loosest of plots, and then use it as an excuse to show clips. The disappointment felt as a viewer when one thinks they are sitting down to a new episode, only to discover it's shit they've already seen before, is something I am quite familiar with. Community, to my delight, made a flashback episode wherein the flashbacks are stories and incidents we've never seen before, like a trip to an old ghost town. So we're given these new glimpses into the the year these characters have had (like Pierce thinking that making an eagle sound will distract Abed enough that he can steal his fries); instead of tired reminders, we get insight. The characters all act true to themselves, but we catch glimpses, like Shirley's sneaky makeup sale, that enhance our perception of them even further.

That is not to say that there aren't references and call-backs galore. The entire "loose plot" revolves around Chang discovering Annie's Boobs' stash in the vents and then Abed is a computer and figures out that Jeff and Britta have been hooking up and the flashbacks begin. We don't only get new settings, we also get continuations of previously-seen scenes, like Halloween or Christmas (it was awesome to see Abed's Uncontrollable Christmas from the others' point of view). Community is one of my favorite kinds of show, the kind (like Arrested Development) that rewards the dedicated viewer while still providing a high level of enjoyment for those who may not have the time to watch every episode twice and pore over details.

"It rubbed off...from friction."

Ok, I just watched an insane amount of TV in like, two days. As a result, I have a lot I want to say but the organization of my brain isn't working too well, so I'm just going to start wherever it wants and will probably end up with a super long and slightly discombobulated post. Stick with me, kids.

Mr. Sunshine

How often is it that a pilot episode surprises you by being miles better than you thought it was when you already thought it was going to be awesome? Not very. Mr. Sunshine brought it SO UTTERLY AND COMPLETELY to the table that I cannot wait for the next episode. Allison Janney is a comedy goddess and a dream come true; she should honestly share top billing on the show. Matthew Perry is a master of acerbic wit and Mr. Sunshine was tailor-made to cater to his strengths - even the theme song reminds me of him. And somebody must have known that I'd be watching to include the brilliant and fabulous Jorge Garcia cameo, even if he is only around for one episode. I would highly recommend this show to anyone who has ever enjoyed Friends, Studio 60, Allison Janney in 10 Things I Hate About You, or has ever been to San Diego. You can find plenty of links here at my new favorite TV streaming site, Project Free TV.

Archer

I was planning on writing a long Archer post the morning my computer died, but it probably boils down to "Archer is hilarious. If you like Arrested Development or South Park or Adult Swim, you will love Archer." So watch it - it's a much better way to get your Jessica Walter fix than that painful guest role she had on The Big Bang Theory this week, and sometimes Jeffrey Tambor shows up as well! You can even watch them out of order, it doesn't really matter, although starting from the beginning will give you a better idea of why they treat Pam like crap or why Cyril is such a douche. Oh, and H. Jon Benjamin gives me a susan. If you're as enchanted by his mellifluous voice as I am and want to see what he looks like in person, you can watch the episode of Parks And Recreation where Leslie fills in the pit and Andy ends up in the hospital; Benjamin is the city lawyer.

"I have goosebumps - feel!"

Hooray for Thursday night comedy!

I grew up in a time when NBC's Must-See TV Thursday night line-up was booming; Friends and Will & Grace were hugely popular in addition to being at the top of their game, and the block of comedy was followed by a not-yet-irrelevant ER. This was the time that NBC would like to see return ("Make it 1997 again by magic or science"). As a result, Thursday nights just feel like comedy night to me. So, while I am saddened and angered by the NBC/Comcast merger that will most likely guarantee that episodes like last night's 30 Rock will never make it to the air, I am so, so happy to see the shuffling off of the blight that was Outsourced to a timeslot no one will watch and the return of Parks & Recreation to its rightful Thursday night spot. I'll be writing another post about Parks & Rec as a whole, but for now I want to focus on last night's funny in particular.

Community

"I agree with brown Jamie Lee Curtis"

"Music and cookies and liquor and trees, that's what Christmas is for"

I know that three days is SO LATE in the internet game, but sorry internet, I have a life and right now it is CRAZY and it's been all I can do to maintain my sanity, much less write blog posts. But I took notes so that I could write something once things died down a little. SO.........

Abed's Uncontrollable Christmas review starts now! Well, a few paragraphs from now.

Let me begin by explaining a little about my family and our Christmas celebrations and my relationship to Christmas pop culture. My dad does not like Christmas, a fact that made known to me once he deemed me old enough, which was around my 10th birthday. My sister and mom were a little indifferent to the whole thing, and then there was me. I LOVE Christmas - well, I love MY version of Christmas. I love picking out the perfect gifts and hanging stockings and cooking with my family and singing carols and unwrapping presents and the rainy weather and lights and the smell of the tree and pretty much anything Christmas that doesn't have to do with Jesus. My sister celebrates Chanukah and my grandfather celebrates the solstice; this year, due to a fortuitous typo, we've decided to refer to our December 25th holiday celebration as Xams, so as to remove it as far from Christ as possible. Because my family are atheists and agnostics and one converted Jew, we tend to avoid stuff about angels and pageants and miracles and the weirdness of worshiping a baby, and focus on the good stuff: eating and giving. Carols were always one of my favorites because I love to sing, but they drove my dad crazy and I've had to find good, non-annoying versions of my favorite Christmas songs to fill up my awesome winter playlist.

But this meant that I didn't watch a lot of Christmas movies/specials when I was a kid, partly by choice and partly because my dad would not give the TV up for that stuff. Rudolph and The Nightmare Before Christmas creeped me out, Charlie Brown didn't really captivate me, Miracle On 34th St. was boring, and I still, to this day, have never seen It's A Wonderful Life. Oh, sure, I watched The Grinch and Home Alone, but the holiday movie I probably saw the most was the animated version of The Snowman (quiet and nondenominational and thus inoffensive to my dad). As I got a little older, I started watching Friends and their holiday episodes became some of my favorites - and some of the best, with moments I can still instantly recall. Friends handled the holidays awesomely by either making a classic bottle episode, or by putting the Friends into stressful, emotional, and/or drunk situations. Always pitch-perfect. As I got even older, I started making my own traditions and found my trio of current all-time favorite holiday movies: Die Hard. Lord Of The Rings. Elf.

Sickermission

I've got a few half-formed posts saved, but I'm currently battling a pretty terrible cold and don't feel up to my usual sparkling wit. Check back in a few days for an avalanche of awesome. In the meantime, this is what's making me happy this week:

See you guys on the healthy side!