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Showing posts with label families. Show all posts
Showing posts with label families. Show all posts

Wednesday, November 30, 2011

Parenthood & Reality

No Glee recap this week - it was a pretty terrible episode, but not in the funny-terrible way, in the this-is-boring-and-makes-no-sense-like-Season-2 kind of way. Even though Puck is the most adorable and I could listen to him sing Melissa Etheridge and tell Quinn off any day, the rest of the episode was a return to the Season 2 strategy of shoehorning characters' actions in to fit the plot and I won't even talk about the Santana thing because it just didn't make enough sense to really care about.

Anyway, I was just watching last night's Parenthood and thinking again about how much I like that show! It really is just super-excellent. Well-acted, well-written, emotional without being hokey...it's just great. And in last night's episode in particular I was struck by how realistic the characters are. There is absolutely NONE of that Glee bullshit (and bullshit used by countless other shows) where complex characterizations are thrown out the window in favor of some exciting plot. These are people with REAL reactions to REAL situations, and even though they're not always what we, as an audience, might hope for from the characters that we love, because we love them we are able to understand why they have those reactions. Take Crosby and Jasmine. Oh man I would love for Crosby and Jasmine to get together and be together forever and make more beautiful babies, but I also absolutely understand why that might not be the right thing for them right now. On a lesser show, their dalliance would have had huge dramatic repercussions, but on Parenthood, it is simply an opportunity to demonstrate the ways in which Crosby continues to mature.

I have two big issues with many television characters: (1) that they don't communicate in a normal, helpful way; and (2) that they often seem to have no capacity for forgiveness. TV can often be a world of black and white, where a thing is just WRONG and totally unforgivable. But that's not how the world works! People change, people have great capacity for contrition AND for forgiveness, and I really love that Parenthood shows this. It doesn't demonize characters simply because they make a wrong decision; in fact, almost all of the many characters on the show have made awful mistakes in the past. But the Bravermans, like a real family, are able to communicate and apologize and forgive and try to move forward from a better place. Watching Parenthood is like watching a reality show where the stars don't know they're being filmed - making it greatly superior, at least where authenticity is concerned, than those often boring, fake, narcissistic day-in-a-life reality shows.

If you're looking for a show that has drama but also humor and nuanced, relatable characters, than I can't recommend Parenthood highly enough. Plus, the cast really is phenomenal. How adorable was that scene with Mark and Sarah? SO ADORABLE. I hope that Parenthood has found a strong enough audience to be renewed for another year, because I can't think of another network drama that is as good as this one. Good watching for the holiday season if you need to be reminded that other families are just as crazy as your own. Go forth and watch!

Thursday, September 22, 2011

"Buffalo Phil...worth the wait"


For all that I complain about Modern Family winning awards and all of that, I do admit that it can be a really great show. The first two episodes (WTF is up will all of the double season premieres? It's like they knew how busy I was and just wanted me to have to suffer through two episodes of The Big Bang Theory) were pretty great, but the first, "Dude Ranch" beat the second hands-down and demonstrated quite clearly the strengths and weaknesses of Modern Family. Namely, the first episode featured pleeeenty of Phil (as well as an exploding birdhouse) and gave all of the characters something to do, except Manny - which is just how I like it. The second episode featured way too much of Clare, my least favorite character, being just obnoxious and terrible and even though that was part of the joke it doesn't matter because ugh. Clare. Go away. Anyway, I thought "Dude Ranch" was funny, snappy, and made me glad to see the show back on. Maybe if they hadn't immediately followed it with a very standard, not-especially-great episode than I would have forgotten about my annoyance at the show trumping Parks & Recreation and Community at the Emmys. But who care about any of this because I am about to watch those shows RIGHT NOW. Let's meet back here with big smiles and lots of opinions in an hour. Sound good?

Notes & Quotes

"In private...you might say that in private."

Lily speaks! Thank god, I was getting worried.

"Just so you know there's a fan in my cabin that sounds like someone crying"

"For what it's worth, my second wife was in high school"

"My french-braiding is 'sloppy'"

"This is a lot nicer than the attic I lived in when we met"

"A childhood without tumbling?!?!?!"

Image via Babble

Monday, August 1, 2011

"Involuntary dumb-assery?"


It's so nice to remember that Weeds does have a memory, and a pretty good one at that. I didn't do last week's recap because it was basically blah blah Wall Street bullshit blah blah HEYLIA! So there you go, recap managed. This week opened right where last week left off, with Heylia shooting at Nancy and Silas who have managed to obtain a detailed map of where her Humboldt pot farm is? From Conrad? On Facebook? Yup. Ok. Good luck with that but you probably won't need it because I'm sure that in real life it is super easy to navigate the complex and dangerous not to mention completely off-grid and backwoods-folk-riddled areas of Humboldt where people grow massive amounts of weed. Just kidding that is absolutely not true have fun dying because people will shoot at you even if you aren't the white bitch who drove them out of town. ANYways, then Dean is there, and there is something romantic and then there isn't and then there IS, with some adorable hand-holding at the end, but mostly Dean is just there because he is the Turtle and so he does some Turtley, Deany-type things, but first somehow he gets Heylia to put down the gun (and hatchet) and invite the crazy white people in.

Wednesday, April 13, 2011

"I can feel my heartbeat in my eyes"


Yay for Modern Family! This is two episodes in a row that have really stepped it up. "The Musical Man" kept things ridiculous, and with a hearty helping of Luke I'm starting to forget some of the weaker spots of the season's second half. Dinosaur Arms!

Let's see: The Dunphy storyline was kind of about this creepy escort ad that Phil had shrink-wrapped onto their minivan that Haley and Clare were riding around in all day. It was also kind of about Clare feeling insecure as she is aging and wanting to be 19 again so she can go sledding on a stolen cafeteria tray (Been there, done that, it is awesome and you can do it anytime, but really sledding is better with a sled and that is one of the great things about being an adult is you can go buy one)? It was ok, plotwise, but really just a good excuse for some sly jokes and a little more insight into Clare's character. That conversation Phil had on the phone....

The Jay storyline was about his brother Donnie coming to visit and they fight and then there's a predictable illness storyline. But the acting and the actors' chemistry was so great that I pretty much was able to go along with the contrived plot and just enjoy the relationship unfolding. And Gloria got some fabulous lines in along the way. Also, limited Manny AND Manny getting something-blocked by Luke The Magnificent always makes for the best episodes of Modern Family.

But the other show-stealer tonight (besides Luke, who ALWAYS steals the show) was Mitchell (played as always to perfection by Jesse Tyler Ferguson), who had a number of brilliantly-delivered moments that made me laugh out loud and rewind to laugh at again. His GIGANTIC eye roll while Cam is playing his music in the early scene was a quiet but powerfully hilarious tidbit that I missed the first time around. Cam, too, had a number of great lines and faces (his reaction to "Wet dreams" being the most awesome), but tonight was really Mitchell's night. Mitchell has always seemed to have to suffer a lot of Cam's quirkier quirks (although we've seen it the other way 'round, too) but the scene where he bursts outside of the auditorium, unknowingly interrupting Jay and Donnie's bonding moment, and deals with his frustration by having an imaginary outburst at an imaginary Cam is just THE BEST. Sometimes in a relationship you just have to imaginary yell at them and get it out of your system. And then he composes himself. That's love, bitch. Also: "Brava!" Ahahahahaha YES.

Monday, October 18, 2010

"I'm gonna miss you, you know."


So, Tomorrowland. Wow. This episode blew me away. This is what we've been waiting four long years for...to see Don Draper absolutely, authentically happy. At the beginning of this season, I wrote that "I doubt Don Draper has ever asked himself what he really wants." Thankfully, since this ended up being the season of "what I want versus what's expected of me", we got Don Draper asking himself that question and, miracle of miracles, finding the right answer.

It is a testament to Jon Hamm's superb acting abilities that I was able to actually watch Don fall in love with Megan and realize that love for himself. He acts differently around her than with any of his other women; he is a bit timid, respectful yet desirous, and, at first, obviously "scared". Maybe it's accentuated by the fact that I'm going through a bit of romantic confusion myself at the moment, but I felt all of the characters' emotions so strongly and effortlessly last night. When that scene with the milkshake where it really clicks for Don fades into the scene in his apartment where The Sad Man Cave is drenched in the so much sunlight it becomes almost unrecognizable...it was clear that things are looking up. By trying to be a better man, Don has become one.



Tuesday, October 5, 2010

"I always wanted to be buried with my banjo - and snacks"


I want to talk a little about Weeds.

I started watching Weeds shortly after it premiered; my friends had a giant TV named Biggie, one of those old fashioned stand-alone sets that was, like, 6 feet wide. We were in college, and on the weekends after a long night we would spend the day ensconced on the massive couch, smoking pot and watching Biggie. Does it come as any surprised that Weeds immediately became a favorite?

Nearly everyone can agree that Weeds was great for the first three seasons. It was after all the little boxes burned to the ground and Nancy got way more hardcore that people began to doubt. Not me. In fact, I think the 4th season may be my favorite, what with No Man Is Pudding and the ayahuasca trip and Ignacio and Celia doing drogas. It's kind of like when your favorite band changes up their sound: not everyone will stay fans, but true believers will adapt and appreciate the new direction.

That being said, I think 5th season is probably the weakest. I mean sure, there are bright spots (Cesar and Isabel come to mind), but when you think about it the whole season is basically just "Is Nancy gonna die?" when we all know she won't. Because, c'mon. If she was gonna die she would've died back when U-Turn was around and she was fucking with Armenians and whatnot. I think it's pretty clear that Nancy is immortal when it comes to Weeds.




Wednesday, September 29, 2010

"I'm not your dead husband, Maw Maw"


I thought I would have more to say after the second episode of Raising Hope, but I don't, really. It's a good comedy - nothing earth-shattering, but original and funny. It's created by Greg Garcia, the dude who created My Name Is Earl, and Raising Hope has a very similar quirky white trash family vibe. My Name Is Earl definitely lost steam (and charm) after the first two seasons, and I could see this show taking a similar trajectory. However, it's enjoyable, it made me laugh, and it's got Cloris Leachman being awesome and hilarious.

And that's it. That's all I've got. I've been hearing and reading a lot of stuff about how awful the new pilot season is, and while I don't completely agree (Running Wilde is steadily improving, por supuesto), for the most part, it is pretty lackluster. Raising Hope has a chance of getting good, but it's going to have to find its audience.

Image via buddytv

Sunday, September 26, 2010

"Surf, sun, and..." "Sandwiches?"


Alright, bitches. I've gotten way behind and there are some shows about which I don't have much to say, so we're gonna knock a few out of the way right now.

The Big Bang Theory

You know, everyone talks about how smart this show is, but just because they make references to science and Star Trek doesn't really make it smart. In reality it's just a basic, formulaic CBS-style sitcom with jokes written to appeal to nerds. Now, that doesn't mean that I don't like the show; I do. The problem is I only really like one part of the show and that is Sheldon Cooper. He's so strange and Asbergers-y and "Bazinga" is a catch phrase that cracks me up like no other catch phrase because Jim Parsons' timing and delivery are incredible. Last week I was talking about how Geoffrey Arend's talents were being wasted on Body Of Proof; and here we've got another Garden State scene-stealer who just won an Emmy (which I actually think he deserved!) for being funny. Parsons really is great on The Big Bang Theory; I just wish that everyone else on the show was as good.

The problem is that the rest of the cast are either abhorrent, obnoxious, pathetic, or just a sad clump of stereotypes smooshed together into a person-shape. I can't stand Howard Wolowitz (See: The Emily Valentine Problem), which is sad, because I loved Simon Helberg in Studio 60 and Dr. Horrible's Sing-Along Blog. So, you know, I'll watch the show but it's probably never going to be one of my favorites - the premiere was alright, but compared with all the other comedy I watched last week, it was near the bottom of the list. In fact, all you really ever need to see is right here.

PS: CBS changed their schedule and are trying to use TBBT to kill Community. This shall not stand!

Tuesday, September 21, 2010

ABC Fall Lineup - *sad trombone*

Wherein I get lost without Lost.

ABC is such a hit-or-miss network. Lost, Castle, The Unusuals, and Pushing Daisies? Very yes. Anything else that ABC's done for the past 8 years? Very meh. They try so hard to be family-oriented that the comedy (and writing) suffers because it ends up being about the same shit over and over. Anyway, besides Mr. Sunshine (which doesn't premiere until later in the season) I'm not super excited for any of these shows, but I'll check them out because, well, that's what we do here.

Saturday, September 18, 2010

The Thing About Parenthood


I watched the premiere of Parenthood (NBC, Tuesdays @ 10pm) and was pleasantly surprised. That's pretty much what this show is: pleasant. Now, I've never seen Parenthood The Movie, so I don't have any need to to compare the two, but the show does an excellent job of showcasing a multigenerational family - better and more authentic than Modern Family, I must say. And, even though it's a drama, it's often funnier, too (Skype sex, anyone?). Just watch this clip where Julia and Joel try to explain to their borderline-genius child about the birds and the bees. That's how precocious is done, kids.

Sunday, August 22, 2010

Shades Of Grey And Mad Men's Moral Ambiguities


After spending the last week or so re-watching the first three seasons of Mad Men, something about the characterizations really struck me. Unlike 95% of all other television, the characters on Mad Men live in a world where doing a bad thing doesn't necessarily mean you're a bad person...meaning they live in the same world as the rest of us.

Let's talk for a little about Pete Campbell, Greg Harris, and then we'll get on to Don and Betty Draper.
Pete was introduced as a man you love to hate. He's short-sighted, narcissistic, greedy, full of hubris, and most of all, entitled. He does some things that we (the audience) think of as cruel, but shows strength of character through his relations with Trudy, his progressive and positive views on race and integration, and his eventual ability to have a respectful, appreciative, and collaborative relationship with Peggy Olsen. In the 3rd season episode, Souvenir, we see Pete missing his wife, and coming upon an opportunity to do a nice favor for a poor German au pair. He's quite the gentlemen, right up until he shows up drunk and pretty much saying that she owes him some use of her body in return for his magnanimous favor. She does kiss him back, but later we learn that she's been crying all day because he forced himself on her.

In this day and age, as a twentysomething feminist, I'm conditioned to believe that rape is never ok. But we live in a world that purports to educate its young men on these things (although whether or not it actually does is unclear) - and Mad Men takes place in a world where men were expected and encouraged to go after what they wanted. Of course, what Pete does to the au pair is not ok. We, the 21st century audience, know that. But I have to admit that I didn't hate him after this episode. Pete finds redemption when his wife returns and you can see how pained he is that he got drunk and weak and fucked somebody else. He doesn't even need to say anything and she knows - that's how in sync they are. The next day, his apology is both typically-60s-male yet also very sweet: he tells her, "I don't want you to go away without me. Ever." while he is somewhat placing the blame for his indiscretion on her absence, he's also acknowledging his own weakness and promising to never put himself in a position where he can hurt her again. I know I said earlier that I keep hoping for Pete and Peggy to have a torrid affair, but it is more clear to me than ever how perfect Pete and Trudy are together. More than perhaps any other couple on the show, they are honest with each other and accept each other for themselves - because a good marriage has got give some room for people to make mistakes.

Moving on to Greg Harris, the more famous Mad Men rapist. Because he raped Joan, people, and that isn't as easily forgivable.

That scene in Don's office is so painful, because it demonstrates something that I'm sure happened a lot back then - men taking what they wanted, because they wanted it. Men slut-shaming their wives/girlfriends and using their sexuality as justification to be sexually aggressive. I think Dr. Harris is incidental to this scene - he represents a larger problem, not only in society but also in the relationship with Joan. He wants to to be able to give her what she wants on his own terms, but is ultimately unable to. In later scenes, we see that he truly does love and value her, but that their relationship is always doomed because neither is able to live up to the others' high expectations.


He probably is going to go die in Vietnam, but I no longer think he's a terrible person (and I hope he gives Joanie a baby first!).  He tried to be a good husband, and failed, but if Joan can forgive him, then so can I. Now, if that had happened in 2010, I'm sure she would have kicked him to the curb after kneeing him in the balls and fleeing and perhaps calling the cops and then putting "Greg Harris is a skeezy turd" on Facebook - but we can't apply modern social mores to these situations, it simply doesn't make sense. We have to be more forgiving, and look at the characters as nuanced and complex and fallible human beings, not representations of good or evil.

As I went from episode to episode, I wondered: what makes me able to understand and forgive Don's lying, philandering and occasional cruelty? And the answer is that he is a good man (no matter what Allison says). I can see that in his passions and his instincts and in the way he opened himself to everyone in the Season 3 finale. He is a good father (well, as good as he can be, given the circumstances). He lies about his past because he's afraid of losing the life he's built...and how do you explain something like that to a spoiled Mainline brat? He cheated on Betty because, well, he's fucked up and she's terrible...and he probably shouldn't have married Betty in the first place. In trying to create this life for himself, it seems he bought in to what society (and advertising) was telling him he needed: a perfect blonde housewife, two kids, house in the suburbs, etc. I doubt that Don Draper has ever asked himself what he really, truly wants because half of his problems come from trying to fit himself into a life that doesn't fit him.



He really is a good father. I cried last night watching the scene where they tell Bobby and Sally about the divorce - Sally asks her mother, "Did you make him leave?" and I want to scream YES OF COURSE THIS IS ALL HER FAULT. Because it is so heartbreaking to see Don, in the days after The Shoebox Conversation, look at Betty like she really knows him and loves him - and all the while she's plotting her escape route. You can see that he's relieved that he doesn't have to hide himself any more - and he's shocked when she rejects him. Don's ultimate motivation is to be loved for who he really is, whatever his name or his past. Betty holds that hope up to the sun and then crushes it underfoot.

This is because Betty is a horrible succubus. Every time I think i'm starting to feel sorry for her - as she goes through the birthing scene in The Fog, for example - she turns around and does something awful - naming her child after her father who died like, three weeks ago and whom her husband hated, for example. Betty, as has been noted many times before, is a child. Everything about her is childish and ultimately selfish. She is, like her "friend" Sara Beth says, "a horrible woman". And she is just a terrible fucking mother. Like, the worst mother ever. That, ultimately, is why Don ends up on higher moral ground then she does - her reaction to Sally regarding Gene Sr.'s death makes me want to slap her face. And yes, I know that things were tough for women and housewives in the 60's - but even my grandma, who could be a bitter and often difficult mother, did better than Betty. Though she occasionally does something right, it's never enough to push her character into gray ambiguity. Sorry, Betty Draper Francis, but if we're looking at black and white and gray...you are definitely in the black.

See? There are reasons to tune in besides all the pretty clothes and places and people. Mad Men (through the writing, acting, and directing) gives the audience complex and intimate moments with its characters and trusts us to makes the connections ourselves. I feel like television often assumes its viewer is stupid and needs gentle hand-holding through the story - Mad Men knows that the opposite is true.

I'm really looking forward to things continuing to develop over this season, but I hope they give Don a little hope. He's definitely stuck in The Swamps of Sadness (and bourbon) right now, but he's got to leave the past and Artax behind and save himself. And while he's at it, he should get a house and save those kids from the succubus. And BTW, what the hell is going on with Baby Gene? He's Don's baby, we all know that - is he going to be raised as Henry's?

It is a truth universally acknowledged that Betty is the worst.


Images via NYMag, nj.com, Daily Mail