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Saturday, February 16, 2013

Christopher Robin Has Left The Study Room


I've been avoiding writing this post.

I have now seen the first two episodes of the new season of Community and honestly, I don't have too much to say.  It's not great.  It's not the show I fell in love with.  It is instead a Bizzaro version of the Greendale world that resembles far too closely the traditional sitcoms it used to skewer so well, and even the actors, whom I adore, seem to be fumbling to find out who their characters are now that they're not a pure embodiment of Dan Harmon's neuroses.

Donald Glover is handling it the best; all of the even-approaching-funny lines last night came from him ("Things.") and he's such a brilliant comedian that's he's making the best of a difficult situation.  Danny Pudi seems to be struggling to find the right tack to take - he's still playing Abed, but Abed is being written very differently now and you can sense his discomfort with the changes.  The character faring the worst is definitely Britta, who was a delicate and complex balance of awkward to begin with and has now become clumsy and obvious.

But it's not just the writing of the characters that's off - it's the staging.  Harmon knew when to pull out all the pop culture stops and when to scale back and focus on relationships, and these first two episodes try to mash it all together with very little success.  Everyone on Twitter was talking about how the Valloween episode was "a REAL Community episode" but it felt hollow compared to "Epidemiology" or even "Horror Fiction in Seven Spooky Steps". Abed and Troy's Calvin and Hobbes costumes were a great visual joke that made me smile but were tragically never used or referenced to any other comedic effect.  The Dean wearing a wig for his ring-girl costume just felt WRONG, like a joke from some other show.  There was an attempt at a Clue reference that was hasty and half-assed and the big reveal of Hawthorne Manor wasn't anywhere near as exciting as the glimpse in to Joan Callamezzo's bedroom that Parks & Rec gave us last year.  And the through-line of Jeff's daddy issues was painfully forced and completely inauthentic to his character.  Remember in "Advanced Documentary Filmmaking" when Jeff straight-up BEAT UP PIERCE because of his anger at his dad (and, to be fair, at Pierce)?  If the new Community insists on having a selective memory towards its characters' motivations, it is going to fail.

Surprisingly, one of the things I miss most about Harmon's absence is his skill at incorporating the right kind of music into a scene, whether it's ambient or the Dean's Abba/grocery playlist.  Watching these first few episodes the scenes felt empty, like they were missing a character - the character of Harmon.  I know that Community still has some of the same writers and directors, but, for me at least, every scene feels like an attempt to recreate a magic that simply doesn't exist anymore.  It lacks the childlike joy that Harmon  imbued into the entire show.  Community has become The Thousand Acre Wood without Christopher Robin - a bunch of characters who like each other alright but are missing the one person whose imagination created and connected them in the first place.

I held out hope for the new Community, but the sad truth is this astounding show was so wonderful because it was hilarious yet bursting with heart - the heart of a man named Dan Harmon.  Without that injection of honest and passionate emotion, Community is just another sitcom on a network that increasingly does not understand what young, intelligent viewers want to see.  And even though Donald Glover can still make me laugh, the empty, unbearable sadness that blankets every Harmon-less scene has turned my favorite show into something I dread even having to talk about. 

So I'm gonna go listen to some Harmontown and turn that frown upside down.

Image via reddit

Friday, February 8, 2013

Weird. Weird weird weird.

If you're wondering what I thought about last night's premiere of Dan Harmon-less "Community", well...I'm about to go out of town, so you'll have to wait.  I'll have more to say once I watch it again and give it some time, but my feelings are pretty well summed-up by this tweet:


So.  You should watch the episode if you haven't already - I'm really interested to know what other fans think.





Sunday, February 3, 2013

Wherein I Brave The Wilds Of Harmoncountry

This past week I went to the Harmontown show in San Francisco (listen to it here!).  I volunteered to go up on stage during Erin McGathy's This Feels Terrible (listen to it here!), and was called back up during Harmontown itself. The following is a description of my night to my friend Casey, who knows nothing about Harmontown beyond who Dan Harmon is.

***

me: oh my god so i went to the Harmontown show ALONE because Katherine bailed on me

Casey: alone is not necessarily a bad thing...
  opportunity to find people to not be alone with with

me: yeah, it was fine, I wasn't stressing it. and I ended up going on stage and talking about my relationship issues and did a really poor job explaining what happened with Isaac and talked a little about David and how awesome people from Arcata are and my tendency to hook up with all of my friends. and I called myself a proud slut which I should have qualified with the very true fact that I am really good at having casual sex but am lazy and picky and don’t actually just fuck random people but I didn’t really and the rest of the night hella guys were being HELLA creepy towards me, which I guess is to be expected after something like that.  and Erin tried to set me up with the other guy on stage and got moved to a much better seat and he was pretty lame but it didn't really matter because then we went on stage again
and got asked what the chances were that we were gonna make out and the dude says, very confidently, “I’m gonna go with 95%” and I give him a look


Tuesday, January 29, 2013

Why "Girls" Is Bad For America

I am so fucking sick and tired of hating "Girls".  Every time someone on Facebook posts something about how much they love it or about how they "are SO Hannah", I die a little inside.  It's not because I think the show is bad.  It's because I think it's bad FOR US.  It's bad for our culture and our nation.  And I didn't really know how to express WHY until I saw this post (from Craigslist via Videogum):

Ever feel like life in the big frantic city is just too much? Are you a twenty-something young woman seeking fame, fortune, love or even a hookup with potential? How do you get from here to there when you can’t even get a seat on the L train! Come to a casting call with our Emmy-winning production company and tell us your dreams and woes, your highs and lows, your tales of *** in the city and the outrageous opportunities that have come your way. Is your circle of friends bound together by not just the parties, fights, and brunches but frequent bouts of commiserating over your struggles? It isn’t easy taking the road less travelled, but making it as a writer, designer, entrepreneur, actress/model or glorified dog walker never is!
The real life television show we are making follows the trials and tribulations of an ensemble of wise-beyond-their-years young ladies. We are with you living the dream in hipster Brooklyn and lower Manhattan. Only well educated and cultured extroverts need apply. Are you thinking about that show–”Girls?” Well we didn’t say it but. . ..now that you mention it.

OH JESUS FUCKING CHRIST NOOOOOOOOOOOOOOOOOOOOOOOOOOOO.

Wednesday, January 9, 2013

The Besties 2012

Well, it's a new year, and my housesitting job got interrupted and then, you know, there was all that life-living I try to do sometimes so I wasn't able to get this out before January 1st.  But guess what?  That means it's officially awards season now, so this year I'll be handing out Besties for those who deserve it.  The categories are determined by whatever I make up and think of right now.  So exciting!

Best Cartoon

Bob's Burgers wins this one handily.  Although Archer came first (and I love Archer), Bob's Burgers has the market cornered on wonderfully weird whimsy.  Archer can get a little screamy and a little gross, and I'm still  on the fence about Pam (ha ha) (bisexual humor).  But Bob's Burgers is always excellent voice actors, whipsmart writing and visual jokes, and really just pure delight.  Along with Parks and Recreation, this is the show I prescribe to people who are feeling down after watching too many Michelle Williams romantic dramas.  And the Thanksgiving episode, with Kevin Kline and Linda's Thanksgiving song and the absinthe and everything, was perfection.

Best Fancy Show

Out of all the shite put out by HBO and Showtime this year, Game Of Thrones was the clear winner (with Episodes and Veep tied for a close second).  I haven't even watched all of Season 2 and I still know it's the best show out there.  After devouring all the available books over the summer, it didn't take much for me to love the television adaptation.  Add my forever boyfriend lover, Peter Dinklage, totally killing it from all sides to the sharp, concise, funny writing and the amazing directing, cinematography, and production values, and Game Of Thrones comes out on top.  Consider this my acknowledgment that GoT (and Dinklage) could have swept The Besties, but I'm trying to spread out the love. I can't wait for Season 3, since Storm Of Swords is my favorite of the books.  In the words of the great Ben Wyatt, "They would never cancel Game Of Thrones!  It's a crossover hit!"

Saturday, December 29, 2012

UGH, The Worst! 2012

Because when you have a blog you make lists at the end of the year otherwise it's not a real blog.

Lena Dunham/"Girls"

This was the year in which an uber-privileged white girl wrote a show called "Girls" in which the people of color that populate New York City became a backdrop upon which to paint a portrait of said privilege.  The fact that Dunham knew exactly what she was doing and made a conscious decision to NOT include any queers or POC in significant roles on her show makes it all so much worse.  And yet, even after a brutal take-down by critics, blogs, and viewers, white people's love of watching neurotic white people won out.  The AV Club, which is my go-to place for online TV criticism, wrote this and I died a little inside:

Saturday, December 15, 2012

An Expert Discussion On The Closing Of The "Gossip Girl" Ouvre


Lauren: Ok so seriously I did not even know about Gossip Girl ending until this morning when I read this article:http://www.theatlantic.com/entertainment/archive/2012/12/xoxo-conspicuous-consumption-how-the-economy-killed-gossip-girl/266181/
Lauren: Otherwise I would have been texting you much more often about it than I already have
Lauren: That, for me, is the saddest part about this whole thing...the end of our texts about Gossip Girl
Lauren:  "UGH SERENA'S DRESS IS THE UGLIEST DRESS THAT HAS EVER EXISTED"
Lauren: "I am riding the Dan & Blair train all the way to Awesomeville. DAN+BLAIR4EVA"
Lauren:  "Chuck has a dog. Its name is Monkey"
Lauren: “uggggggghhhhhhhhhhhhh Serenaaaaaaaaaaaa”
Lauren: "ugh, serena ruins everything."
Lauren: "CHUCK+MONKEY4EVA"
Lauren: But I have to say that as someone who was initially not only resistant to, but actually disgusted by Gossip Girl, the show, in all its multifaceted horribleness, has really come to grow on me
Lauren: I went back and found all my posts tagged "Gossip Girl" - this first one is worth reading. And you HAVE to watch the video, the video is still amazing: http://the-hedgepig.blogspot.com/2010/08/you-cant-make-me-love-gossip-girl-if-i.html
Lauren: And the show came back from that and was on my "The Best" list last year:
"Dan and Blair (and Chuck?)
I know that it is never to be and that Chuck and Blair are meant to be together, but Dan's love for Blair and the possibility of them boning has kept me watching Gossip Girl even after I stopped reading Richard's Gawker TV recaps. And while Dan and Blair (Dair? Blan?) may never be a couple, that doesn't mean a future plot twist won't involve them knockin' da boots and putting everyone into a tizzy. MAKE IT HAPPEN, writers. Honestly, maybe THEY should all be polyamorous, Chuck and Dan seem to be getting pretty tight with all that talking and bonding they've been doing. Dan got him a DOG and Chuck named that dog MONKEY. That's at least worth a handy during a three-way."

Friday, December 7, 2012

"The Perfect Last Christmas Party"



I realized a few days ago that I haven't really been talking about my shows much this fall - by that I mean the shows that are my real favorites, like Parks & Recreation.  Partly it's because I've been so busy, and partly it's because Community's not on the air, but it's also partly due to the fact that I've been watching with a more over-arching point of view, instead of simply evaluating shows on an episode by episode basis.  And with that in mind, it is time to talk about The Office.

Now, I have loved The Office for a very long time, and I was never the hugest Michael Scott fan.  I even thought the show had the potential to improve in his absence.  But they made some bad decisions along the way and cast the wrong people and went way too far down the Robert California rabbit hole and last season the show was, let's face it, bad.  Very bad.

But then this season came around.  And since we all know this is the final year, the show has been given a chance to get back to where it started as well and demonstrate how far it's come.  At the center of all that is the combination of relationships between Dwight, Jim, and Pam.  Oh, sure, there's Erin and New Jim, and Angela and Oscar, and all the rest in between and they're great, but resolving the Dwight/Jim/Pam relationships is clearly the documentarian's goal.  As someone who knows the early seasons to an obsessive point it is absolutely captivating and joyful to watch the pleasantly gradual denouement of these characters.

The Office's first Christmas episode was a classic in both the Michael-is-a-clueless-jerk and the Jim-and-Pam-are-tragically-in-love veins, with the Yankee Swap and the teapot and the shameless-but-apt iPod promotion and the Meredith's boobs.  It set the stage for many, many more great Christmas episodes - the dueling margarita/nutcracker parties (which includes my favorite Creed line: "I don't care which party I go to. Once you've danced naked at a hash bonfire with the spirits of the dead, all parties seem pretty much the same"); the Morrocan Meredith Intervention Christmas (which I believe was also the Princess Unicorn episode - "My horn can pierce the sky!"); the one where Phyllis is Santa.  The Christmas party is a time where the employees of Dunder Mifflin open up and get drunk and embrace the holiday spirit, and it's always a highlight of the season.  Last year's Christmas episode was a bright spot in a dark, glum year.

Wednesday, November 28, 2012

Boardwalk Empire: Everything That Happens Will Happen Today


After every episode of Boardwalk Empire this season, I've thought, "Should I write about it now?"  And the answer has always been no, because the show has been leading to something big, but until these last few episodes I had no idea what it was.  Maybe I should've waited a few more weeks until after the season finale, but the time finally felt right.  We found out where Nucky's path this season is taking him, and it looks pretty grim.  I've actually been working on this piece for a couple weeks now because most of my time has been consumed with applying to grad school, and then I had a personal tragedy that didn't inspire a desire to watch people get beat to death or shot to shit.  I'm still dealing with that loss, but this piece has been eating away at me and it's finally time to finish it.

I'm going to backtrack for just a second and explain my feelings about Boardwalk Empire previous to this season.  I've watched it since the beginning, and enjoyed the performances and the beautiful set design, costume design, direction, and cinematography enough to keep coming back to the show, but it wasn't until last season when I really began to FEEL for the characters.  Much of this has to do with my current favorite dramatic character, Richard Harrow AKA Sexy Richard Half-Face, but not all.  As the stakes became higher and important character information like Jimmy and Gillian's fucked-up history was revealed, the show became imminently more fascinating.  The season two finale proved that Terence Winter and the rest of the writers aren't afraid to make big sacrifices for the sake of valuable plot and character arcs.  Ok, I was trying to avoid it, but we're gonna get all sorts of spoilery up in here now.  Join me after the jump!

Thursday, November 8, 2012

Moving Forward With "Modern Family"



Damn, it's been too long, folks.  Unfortunately, when you're applying to grad school and traveling and picking up extra jobs to pay them bills, your little-read blog about television is the first thing to fall by the wayside.  That doesn't mean that I haven't had things to talk about, or been building up posts in my head for when I finally have the time to write them.  This season of Boardwalk Empire has been spectacular, and I'll be writing about it some time in the next week.  The Mindy Project is going well, but the real surprise of the new fall shows has been Ben And Kate, which is just a delightful, smart, playful romp every week.  Go On is solidly enjoyable.  Last Resort keeps getting better.  Revolution keeps getting worse.  The Office is, surprisingly, mostly turning it out for their last season, although everyone agrees that making Andy into a horrible monster was a terrible move.  Parks & Recreation is great, of course, although I do have some small nitpicks we'll get to eventually.  How I Met Your Mother is what it is, which is to say a little dull, very repetitive, a nice vehicle to get my Jason Segel fix, and still very staunchly Not Friends, however hard they try.  RuPaul's Drag Race All-Stars is so poorly formatted that not only are the wrong people going home every week, but the show itself is actually boring.  What a disappointment.

But you know what's not a disappointment?  This season of Modern Family.  Oh, there have been some missteps (that stereotypical lesbian couple?  Let's not ever mention that again.) and just last night Jay made a homophobic joke ("If you had a man who wanted to pick out strollers with you, you wouldn't have gotten pregnant in the first place" UGH).  But this season seems to be focused more on the individual characters we've developed a relationship with, and less on making lazy jokes about whatever boring archetype they belong to (shrewish wife, trophy wife, nerdy girl, effeminate gay man, etc.).

Tuesday, October 23, 2012

My Harmontown Evening


So, depending on whether you know me in real life, you may or may not know that I went to Harmontown tonight.  If you don't know what Harmontown is, I'm not going to explain to you here.  Go listen to the podcast, it's amazing and engrossing and funny and weird and, like most television, best when enjoyed serially.

Afterwards, my friend Matt and I went to The Drawing Room along with some of the folks from the podcast and I expressed my love and admiration for Spencer (who looks precisely like a Dungeon Master SHOULD look, ie very wise and bearded) and talked briefly with Dan Harmon who I THOUGHT had been putting Sam Cooke songs on the jukebox which would've been awesome but instead was getting money from the ATM which was completely normal if not totally awesome.  But he was hella chill and cheersed me and I felt too weird to engage him in a conversation about his inadvertent Lindsey Weir costume which probably would've taken some explaining and man, it's like, I'd really like to just talk to these guys (Jeff Davis included, he's so adorable & I was gonna say impish but really it's Deanish) but even at a tiny bar post-Harmontown I feel like I'm imposing which is my own constructed bullshit & probably partly Matt's fault (sorry, Matt) but that doesn't mean it makes me feel magically confident (which I usually am, BTW, magically confident is kind of my middle name) or anything.

There's this weird paradox with comedians-as-celebrities where, because these days they often share a lot of their real, personal selves with the public, they seem more accessible.  And man, I can't wait until I live in LA and can go to Harmontown every week and become the token queer chick and all of that.  It'll happen.  But until then I just feel like an asshole talking to them.  They don't want to talk to me.  They want to talk to their friends!  And while *I* think I'm awesome, thinking that in public makes me an asshole.  Or maybe not, who fucking knows.  I still can't really figure out what's going on with some of the Harmontown regulars who are, as my friend Katie would say, totally Aspy.  Part of me wants to act just like them and put myself out there, and part of me hates them for being just as narcissistic as I myself definitely am.

I think that last sentence sums up a lot of aspects of LA culture.

In conclusion, Sir Dan Harmon:  I am even more awesome than everyone else (yes, I am an "awesome" girl, Dan).  I enjoyed the "Fag" anecdote as much as I enjoyed the faggot episode of South Park, which is to say A WHOLE FUCKING LOT...but wish you had called for at least one of us gays to join your multicultural coalition (I would've been much more funny and MUCH less creepy than the Puerto Rican girl).  I could sit in a tiny room and watch you all play Dungeon and Dragons FOR YEARS.  And wearing that coat with even semi-baggy jeans makes you look like you're in a half-hearted Lindsey Weir costume.  JUST FYI.  All you need is a brunette wig and to get Jeff wicked stoned so he can be Jason Segel.

Wish I could be there for Jarreth week next week.  Come on tour to San Francisco.  Next time, make the jukebox your bitch.  And I love you all forever, in the least creepy and most narcissistic way possible.

Thus ends my first LiveJournal entry in many a year.

Friday, October 12, 2012

New Drama Showdown: "Last Resort" vs "Revolution"


As we all know, the networks have been searching for the next Lost for some time.  There was The Event, Persons Unknown, V, Alcatraz, and a whole bunch of other short-lived shows I can't even remember that failed to hook and capture the public in the immediate, visceral way that Lost did.  I was reading an interview with Zeljko Ivanek where he was talking about being bummed he didn't get to work with Blair Underwood more on The Event, and while I love Zeljko and I love Blair Underwood, the sad truth is that The Event was terrible.  Just really, really bad.

My love of Lost got me into a quandary with some of my best friends when the sixth season aired.  I had been pretty obsessed with Lost since about mid-way through the second season, when I watched the first season DVDs and then went off to a new college and realized I could buy episodes on iTunes.  That shit hooked me pretty hard.  After I graduated and moved back home, I made a bunch of people start watching. I swore to them that the writers knew what they were doing and all the loose ends would be neatly tied up if they would just be patient.  Now, I still maintain that Lost was, for the most part, a great show, and after careful consideration, I even became a fan of the finale.  But fuck, the writers really dropped the ball during season six.  The episodes aren't all terrible and we do get some satisfying answers, but they spent WAY too much time introducing unnecessary new characters, faffing around with Charles Widmore, and getting to the heart of the Jacob/Smoke Monster thing and not enough time wrapping things up satisfactorily with the original cast and some of the mysteries they'd been developing for years.  Don't even get me started on the alternate reality/limbo thing - while I do like the finale, the build-up to it was frustratingly dumb.  Anyway, this is all to say that Carlton Cuse and Damon Lindelof robbed me of some of my well-earned reviewer credentials and to this day, my friends still give me shit when I recommend a mysterious drama.

Well, I'm hoping that I can redeem myself now.  There are two new dramas this year that have already found some success with the Lost style of a large, diverse ensemble cast and gradually-revealed mysteries, and it turns out that they're both pretty good.  One is already pulling ahead of the other in my book, though.

Friday, September 28, 2012

Real Gay Talk

One of the things that I'm not sure comes across all the time in my writing is the fact that I am always willing to have my mind changed, given there's a compelling reason for it.  I'm an incredibly logic-driven person and while I DO hold strong opinions, when presented with new evidence, I'm always up to revisit and possibly alter the way I feel.  There are plenty of things I've said on this blog that I have since come to look upon differently, but if I were to go back and change each post it would be, not only a pain in the ass, but also dishonest.  So instead, I'm here to explain myself.

Last weekend, a (young, gay, white, male) friend and I were having a conversation about the presentation of queers in the media.  I was talking about how it feels like the only gay people given any sort of representation  lately are white men, and he brought up that he feels like that being a gay woman is more socially acceptable than being a gay man, and because of that it's more important for men to have the media representation in order to make people comfortable with it.  My other (straight, female) friend brought up the point that the only really socially acceptable form of lesbianism is two traditionally attractive women who look like they could be straight having casual sexytimes with each other, usually presented as an object of male fantasy.  She also brought up that the most socially acceptable form of gayness usually comes in the Gay Best Friend role, a role which is almost always so neutered and de-sexualized so as to make him more palatable for the masses. I went on to argue that the gay male perspective currently being presented was so limited (usually young; ALWAYS white) and often offensively stereotypical and that what the queer community REALLY needs is a wide range of characters displaying a wide range of sexualities.

Monday, September 24, 2012

"Weeds" Crumbs



So I finally re-watched the Weeds series finale.  Like every other series finale basically ever, it made some people happy and left some unsatisfied, but most viewers, like me, probably felt some combination of the two.

It was nice what they tried to do with the symmetry of the show, with plenty of callbacks to the pilot and to the early halcyon days of the show.  But opening on a PTA meeting and bringing back Josh just weren't enough to make this episode the perfect cap on the series.  I've been talking to a number of my friends about it, and most of them agree that the early seasons were by far the best (though I would argue that Season 4 had some strong comedic highlights, particularly with Andy and Lenny but also Celia and Ignacio).  Season 5 was where things really started to go off the rails, and Season 6 was an absolute mess.  They brought back some of the spark for this final go-round, but it really was too little, too late.

Thursday, September 20, 2012

"Go On" Just Isn't Quite There Yet

About a year and a half ago, there was this show that premiered around mid-season on ABC called Mr. Sunshine.  It was fantastic.  It was created by Matthew Perry, and served to highlight his notably wry brand of humor.  It was cancelled after six episodes, and I'm pretty sure that I remain the only person who has ever seen all six.  Its cancellation had nothing to do with the quality of the show, and everything to do with the fact that it premiered on a Tuesday in March, and all the promotion in the world won't help a show that isn't given a chance to find an audience or build up steam.  I was really bummed out about it, because I love Matthew Perry (and Allison Janney and Jorge Garcia and everyone else who was on that show), and it seemed such a shame for him to have finally found the perfect vehicle and then to have the politics of television programming just totally fuck that up.

Go On is not Mr. Sunshine.  Is Perry good in it?  Yes, because he is good.  Is John Cho my favorite for ever and ever and do I love him SO MUCH?  Yes.  But remember when I was talking about bland comedy?  Go On is it.  I've heard a couple other people compare it to Community, and after watching the third episode this week, such a comparison is inevitable.  You've got an emotionally closed-off man who joins a group for purely selfish reasons and then, you know, learns things and becomes friends with them and everyone is very different and diverse and isn't it hilarious?  Errrrrr...it isn't.  It isn't very hilarious, and that's not because they talk about his dead wife all the time.  It's because I have seen this show before, done a million times better.  And, it's because, as much as I love Matthew Perry, it's really John Cho who should be given his own starring vehicle.    Funny, handsome, young, and whip-smart, Cho could connect with viewers in a way that, if he were in the lead, would drive this show to success.  And who knows?  It's still early days; Go On has the potential to get much sillier and more creative as the season goes on.  But right now, it's looking like the easily-digestible, very standard show that everyone at NBC wished Community had been.

But at least it's better than Animal Practice.  Animal Practice is TERRIBLE.  You guys remember that episode of The Office where Jim and Pam and Andy are watching a fake movie starring Jack Black and Cloris Leachman?  That's what Animal Practice feels like.  A fake TV show that fake people watch on another TV show, played for laughs at how bad it is.  Uncle Andy, what have they done to you?  Annie's Boobs, what have they done to YOU?

Image via IMDB

Monday, September 17, 2012

"Guys With Kids" Parties Like It's 1999

So, I watched the Guys With Kids pilot.  Here's what I'll say - it wasn't sexist or homophobic or racist or anything like that.  It also wasn't very funny.


The show is filmed in front of a live studio audience, and it very much feels like an attempt to return to old school classic NBC sitcoms.  I say attempt because such a return doesn't really feel possible.  When shows like Louie, Parks & Recreation, and Community are pushing the boundaries of what television can and should be, a show like Guys With Kids feels out of place and perilously un-hip.

Sunday, September 16, 2012

The List, Part Three

So, with all of my working full-time and devouring Game Of Thrones and changing the blog name this summer, The Hedgepig's second anniversary just passed on by without comment.  And really, there's not much to comment on other than to say that I hope you guys enjoy reading this as much as I love writing it, and that recently I've been getting some really good feedback from people who've taken some of my recommendations, which just makes it all worth it.  So thanks for reading and all of that.  You can check out last year's anniversary post if you're interested in a more lengthy acknowledgement.  In lieu of that this time, here's one of my favorite Abed moments ever.  I really, really like talking about TV, you guys.  In case you hadn't noticed.



Now comes the part where, if I had a shame gland, it would start acting up.

Saturday, September 8, 2012

Vacation Is Over

Since it's now the weekend after Labor Day, and summer is officially over, it's time for Miss Hedgepiggy to return to the grind.  And man, do I have things to say and opinions to express!  Fall season premieres start this week, although, to be honest, none of the new shows aside from The Mindy Project have me feeling anything other than whelmed.  But I'm very excited for the return of some of my favorites, and to get back to a regular schedule of healthy analytical opinionating.  Here's a list of what I will and won't be watching this fall - new shows, old shows, and shows that weren't good enough last year to make the cut now.


The Mindy Project

If you haven't watched The Mindy Project yet, and you are a functioning human with a brain, vocal cords suitable for laughing, and eyes that enjoy looking at attractive people, YOU ARE MISSING OUT.  The pilot has been up on Hulu for a couple weeks, and I highly recommend it to anyone.  Mindy Kaling!  Chris Messina!  Stephen Tobolowsky!  Richard Schiff!  Bethany from Mad Men!  Penelope from Gossip Girl!  A hot guy with a British accent!  Literally something for everyone.  It's smart and funny and aimed toward women in the same way that New Girl seems to be but is MUCH more interesting and not at all divisive and there are no stupid jokes about the ways that women and men are SO different to each other.  And it has Mindy Kaling, a fantastic actress and writer instead of the grating, dumb, obliviously saccharine star-who-shall-not-be-named of that OTHER show.  Most importantly, it is something NEW and DIFFERENT and it acknowledges the fact that not all funny, smart, and sexy people in the world are skinny white people.  183% MUST WATCH show of the season.  Everything else I could take or leave, but The Mindy Project is a straight-up glass of finely distilled awesome.

Tuesday, July 24, 2012

Summer Watch List

So, as you may have noticed, it is summer.  And aside from a time where some of us like to engage in this little-known activity called reading, it is also a time when the cable networks put out some of their best shows.  So what have I been watching?  Not Breaking Bad.  But lots of other things!


Episodes

I'll admit that I've already finished Season 2 of Episodes.  Much like Downton Abbey, it airs in the UK months before it comes to the States, and so it's easy to find links online.  And so even though I only started watching the season last weekend, I'm already done.  The reason for this is that it's SO EFFING GOOD.  Literally everything about this show is fantastic, but especially the actors.  Matt LeBlanc continues to be great at playing a parody of himself, and Tamsin Greig and Stephen Mangan are always brilliant as the transplanted British writers/producers, but this season gave more of the spotlight to the supporting actors, and Kathleen Rose Perkins shines like a goddamn star.  Her portrayal of Carol is at once pathetic and empowering; infuriating and endearing; hilarious and sad.  She's taken the character from the one-note Rigid Studio Executive and turned Carol into someone we root for and whose motives we come to understand.  And she's just SO fucking funny.  John Pankow as the studio head Merc Lapidus is a comedic gem, and Genevieve O'Reilly as his blind wife Jamie plays her role with a quiet subtlety that'll make you laugh out loud (as two characters are fighting and chaos erupts amongst the cast, she just keeps yelling, "What's going on???!!!").  Daisy Haggard as the erstwhile, clueless exec with the weird moaning voice steals every single scene she's in and Joseph May as Andy Button is the type of character who would eat a popsicle made of shit if you told him it was fudge - while smiling.  I honestly can't pick a favorite character because I love them all, and I didn't mean to brush past Greig and Mangan because they carry the show, and both actors' abilities to transform from glib to gutwrenching in the blink of an eye is astounding.  They grab you by the heartballs, and just won't let go.

Anyway, not to give anything away, but the season finale is one of my favorite moments of comedy of the entire year.  There're only nine episodes, so get watching and seriously, don't miss out on this show.

Wednesday, July 18, 2012

Girl Glows Green is now The Hedgepig


So, you might have noticed, while checking this page to see if I had FINALLY updated (I haven't, though I hope to in the next few days), that Girl Glows Green no longer exists.  I've been wanting to change the name for a while, as I begin to make steps towards my own actual website, but it took me a very long time and a lot of really bad ideas before The Hedgepig arrived in my brain.

Why The Hedgepig?  The reasons are myriad.  To begin with, hedgehogs are MY animal, if you will.   Small, round, sometimes prickly, sometimes cuddly, intelligent, and wily creatures, I've always had a fondness for them.  And I feel like their opposing dichotomies are pretty representative of the tone of this blog - sometimes sharp, sometimes soft, always discerning.  Hedgehogs have shown up in important things and at important times in my life, and I've always been interested in and strangely drawn to them.  There are more stories here, but I won't bore you with childhood dreams and obscure details.  And as for why it's The Hedgepig and not The Hedgehog, well, there's this E. Nesbit story in her collection The Magic World called "The Princess and The Hedgepig" that you should all read because it's really wonderful...but that was just the impetus.  In truth, hedgepig is simply more mellifluous and uniquely recognizable.  I like it.  It's a fun word for my favorite animal, and really, that's that.

The Hedgepig will continue to be what Girl Glows Green always strove to be - a funny, nuanced, and critical look at television and pop culture - and my plan is to make it even better.  I hope you'll come back to check out what's to come.

Image via Shutterstock

Thursday, June 28, 2012

The Newsroom Is Bad

Ok, to start out with, I know I've been AWOL for a while.  Well, only a couple weeks, but it feels like a long time.  And the truth of the matter is I just haven't been watching TV lately.  *GASP*  Oh, I watched Mad Men, and I caught up on Veep over the weekend, but mostly my pop culture time (which hasn't been much, since I've started a new, full-time job) has been consumed with reading the Game Of Thrones books. They are just SO GOOD!  I could read them forever!  And I pretty much have been, to the exclusion of almost everything else.  I'm gearing up to start doing Dawson's Creek recaps pretty soon, but I've got to finish Storm Of Swords first.  SORRY!  But some things take precedence in life, and amazing books are one of them.


It's no surprise, then, that I slept a little on the premiere of Aaron Sorkin's new drama, The Newsroom.  And  then when I saw pictures of Kristin Davis macking on Sorkin, I remembered OH!  This show!  I am excited about it!  So I took a break from Arya and Jon Snow to check it out.

And....oh.  This face. :/

By now you've probably seen the opening speech that Jeff Daniels makes, where he talks about how America ISN'T the best country in the world:



It's wonderful and honest and informed and really great and exactly what I hoped this show would be.  But then...he says this (italics mine):
"But [America] sure used to be [the best] (ed: REALLY?  IT DID? SINCE WHEN???).  We used to stand up for what's right (again: REALLY? SINCE WHEN???).  We fought for moral reasons (like all those Native Americans we killed for 'moral reasons'?), we passed laws for moral reasons (like all those laws to keep black and white people from getting married?), we waged wars on poverty, not poor people (REALLY? Like all that help we've given poor people during the decades-long War On Drugs?).  We sacrificed, we cared about our neighbors, we put our money where our mouths were and we never beat our chests (AHAHAHAHAHAHAHAHAHAHAHAHAHA).  We built great big things (Congratulations, America, on building big things.), we made amazing technological advances, explored the universe, cured disease, we cultivated the world's greatest artists (okaaaaay) AND the world's greatest economy (ummmmmm).  We reached for the STARS (vom).  We acted like men (VOM).  We aspired to intelligence, we didn't belittle it, it didn't make us feel inferior (If that is what you'd like to believe, Sorkin).  We didn't identify ourselves by who we voted for in the last election and we didn't...we didn't scare so easy.  We were able to do all these things and be all these things because we were informed.  By great men, men who were revered (Yup, W.R. Hearst was super great and kept us EXTRA informed).  First step in solving any problem is recognizing there is one.  America isn't the greatest country in the world anymore."

So, as you can probably tell, I've got some problems with this speech.  America isn't the greatest country in the world ANYMORE?  So when was it?  When we had slaves?  When we shoved our immigrants into tenements to die of tuberculosis and starvation and factory fires?  Was it during the Trail Of Tears?  When we outlawed alcohol?  When we lynched black people?  When we put Japanese-Americans into internment camps?  Was it when we put "under God" into the Pledge of Allegiance or when we continually denied equal rights to women, and gays, and racial and ethnic and religious minorities?  When we entered in to multiple wars and armed confrontations against small countries because we disagreed with their ultimately ineffective and self-defeating ideologies? When we watched our citizens ravaged by AIDS and did so little to help?  When we freely armed horrible, genocidal people around the world?  When we allowed the Supreme Court to elect a president?  When we put our money where our mouth was and never beat our chests on Imaginary Island in Never Never Land?  Tell me, Aaron Sorkin, precisely WHEN America was the greatest country in the world.  Because by my count, that was NEVER.

Friday, June 8, 2012

Talkin' 'Bout Community On The Internets

I had the privilege to engage in a thoughtful discussion with my blogcrush, Gabe Delahaye, on Videogum today.  It was great, and everything I love about the Internet.  Even though I had to write it three times.  Check out the original post, and then scroll down to the end to read our comments.  Or you can read the entire thread after the jump.


Saturday, June 2, 2012

Calling Bullshit On Mad Men



Since I've mostly stopped doing recaps, I find that for most shows there will be an episode that encapsulates the way I feel about the season as a whole - like the Leap Day episode for Modern Family.  "The Other Woman" was definitely that episode for Mad Men.  So, we can all agree this season has been pretty wack, right?  Definitely not the darkly beautiful subtle miracle of seasons past.  And yes, I understand that the tone of the show has changed to adjust to the tone of the world they live in, but it just doesn't seem like the storytelling holds as much weight as it used to.  That's not to say that this season has been bad; on the contrary, there have been many incredible moments (Roger on acid; Pete getting the shit kicked out of him; Joan kicking out her POS husband) and I still very much love the show.  But it's not the same.  Everything is a little more obvious, the emotions aren't as stark, and, worst of all, some of the characters actions and reactions don't seem at all in line with what we know of them.

Sunday, May 20, 2012

Why We Should All Be Effing Pissed About Dan Harmon Being Fired



In case you missed it, since The Man did everything they could to make sure you would miss it, Dan Harmon was fired as showrunner of Community on Friday.  I highly recommend you go read about it in his own words because, like so much else that he does, it's funny and poignantly sad.

Done?  Okay, so here's why this sucks:  they figured out a way to cut the creative balls off of Community without killing it outright.  Look, clearly they've been gunning for Community for a long time.  Business men don't like shows that are smart because they might have to put some actual work into properly marketing them.  But when they tried to quietly kill it back in December, the Internet exploded.  Fans went crazy.  The comment thread at The AV Club's post for "Regional Holiday Music" exceeded 30,000 posts.  Community won not only Splitsider's tournament for The Best Sitcom Episode Ever, but also Hulu's Best In Show competition.  While I'm sure that the people in charge would have loved for Community to die a quiet death after airing the back ten episodes, that obviously wasn't going to happen.

Then two unfortunate things occurred.  Well, one occurred a year ago when Harmon's contract was only renewed for one instead of the usual two seasons.  The second was the Chevy Chase debacle.  Who knows how much effect Chevy's dickishness and Harmon's poor handling of the situation had on THIS situation, but you can bet it didn't help anything.  If nothing else, it provides enough reasonable doubt so bloggers like me will speculate on it since no one, not even Dan Harmon, really know all the reasons he was let go.  But I think that mishandled event is more of an excuse than an impetus for this disaster.

Taking Dan Harmon off of Community is like slaughtering Khal Drogo's horse.  It's like Peeta after the tracker jacker torture or McMurphy post-lobotomy.  They cut out the part that fights for what is good and right in this world.  They cut out the originality and the creativity and the magnificent, not-a-fuck-giving mind that created this show that speaks so wholeheartedly to my generation.  And look, it's not like Community is going to be bad; I have faith that as long as Megan Ganz is in the writing room, things will be alright.  It's not like the remarkably talented cast is going anywhere.  But it will not be the same groundbreaking, inspiring show it has been.  And that's because neither NBC nor Sony has ever shown much of an interest in supporting or marketing the show, but they also didn't want to anger all the millions of fans by cancelling it, so they first moved it to goddamn Fridays after goddamn Whitney (while The Office keeps its lazy, decomposing ass parked at 9 pm Thursdays) and then sneakily went in, cut off the head, legs, and balls, sent a press release to TV Guide at 7 pm on a Friday, and hoped no one would notice.  Well, guess what?  Notice taken, assholes.

So, other than the idiots who run television taking a big ol' dump on the fans and viewers that support them, why should we be pissed about this?  Because Dan Harmon is a champion for a new kind of television.  From its pilot episode, Community has celebrated diversity, not just in terms of race and gender and age and sexuality, but in terms of personality.  Harmon, like Matthew Weiner, personally fought for more women in the writing room, and as a result developed some of the most interesting, well-rounded, and hilarious female characters on television.  Community is all about diverse people coming together and forming a - what's it called? Oh, right, a community.  Is there another sitcom on television that features so many actors of color?  Nope.  Is there another sitcom that presents a queer character who likes to cross-dress in such a loving, non-judgmental light while still celebrating his inherent humor?  Sadly, no.  No other show has the temerity to take on a character like Fat Neil with such studied compassion, or to use an elderly character like Leonard to such a consistently brilliant degree.  Community has covered religion, lesbians, poor people, racist gardeners, racist parents, homophobic parents, plain shitty parents, racist grandparents, weight issues, bullying, class issues...and NONE of it has been preachy or saccharine.  Community has dealt in human emotions and chose to focus on what unites us instead of what divides us.  It has presented different kinds of people as PEOPLE, not as stereotypes.

I saw all this as the future of television.  But it seems like the people in charge don't see it that way at all.  Watching the upfront trailers, my stomach dropped lower and lower as white face after white face flashed on my screen (notable exception being The Mindy Project, which looks great and I can't believe NBC didn't pick it up except I can because they're obviously frittataed).  Network television looks whiter than it did in the 90s.  And Ryan Murphy gets to continue perpetuating his favorite stereotype that the only gays that matter are young white males.  What I wouldn't give for a funny queer chick on TV....

So, yeah.  I'm pissed, and sad, and currently trying to figure out what I need to do to get a job in television production so I can start changing things from within.  Dan Harmon has spent the last three years challenging our ideas of what television could and should be; he has given a voice to those who have for so long been voiceless; he created Troy and Abed, two of the best television characters of all time played by two of the very best comedic actors (not that the Emmys have noticed, because, you know, racism).  For me, he created a show that so clearly exemplified what I love about television that it helped me realize my passion and inspired me to work towards a career in the industry.  So I will stand with Dan Harmon in whatever he decides to do next (and it hopefully involves Chris McKenna, who left the show in solidarity with Dan), and we'll just have to wait and see what happens with Community next season.  Although the threat of cancellation has hung over the show all year, that thankfully allowed Harmon & Co. to pull out all the stops and fill this season with awesomeness.  Yesterday when I was mourning by rewatching most of season three, I kept thinking how appropriate the theme song is, and has been to this show.

"Gimme some more time in a dream
Gimme the hope to run out of steam
Somebody said it can be here
We could be roped up, tied up, dead in a year"

Dream big, don't give up, fight for what's right, and write every show like you're about to get cancelled - THAT'S how you make great television.  The season finale wrapped up in what would have been a satisfying series ending, and we'll just have to hope that when Abed steps into his mini Dreamatorium, he's imagining an alternate, far happier timeline.


Thanks for everything, Dan.

Images via aspecialthing, videogum

Sunday, May 13, 2012

Why It's Important To Keep Talking About Girls

One of the interesting (read: super depressing) things that has arisen over this whole Girls brouhaha is the backlash against the backlash.  Everyone was fine to talk about it for a week, but to keep talking about it was to "not be able to let things go".  But to not keep talking about it is, in my eyes, to ignore it, and like it or not, ignoring it is not the way to handle the issue.

I admit that my last post on the subject was a bit vitriolic, and my friend said, "It kind of sounded like you just hate the East Coast" which isn't the case at all.  There are many, many, things that I adore about the East Coast, but the tendency of people who live in New York City and produce work for the screen (or write, or blog, or photograph, or paint, or whatever) to be navel-gazingly obsessed with living in New York City and what that means is one of my least favorite things about pop culture in general and the East Coast in particular. I have lived in and spent a lot of time in different states up and down the East Coast and no matter what, my feelings about it always come back to Joni - "I wouldn't want to stay here; it's too old and cold and settled in its ways here".  In California, everyone is from somewhere else.  The importance of old money and history and who your family is and where you went to school fades here; we care about who you are now and where you're going and if your actions will help the world or the community.  Oh, we definitely trade in other weird issues (go watch some Portlandia for examples) and in certain circles all the dumb moneyed social crap still stands, but in my extensive experience, it's not as pervasively a part of the culture out west.

I see this idea of The Way Things Are Done not only in Girls, but in the backlashbacklash as well.  Famous people's children have always had an easier way of it, they say.  Why are you punishing Dunham for writing what she knows? the handwringers cry.  The types of people Hannah and her friends are probably DO only have white friends and it is ridiculous to expect otherwise, I'm told.  And my favorite, why aren't you as mad at any of the other all-white shows out there?  Why has Girls been forced to try to fulfill so many expectations?

Let's address these one by one.

Friday, May 11, 2012

Wherein I Cry Actual Tears At The Parks & Rec Finale

Season finales abounded last night!  But we're only gonna talk about two of them.


Well, actually, three, because I've been meaning to say something about the Castle finale all week, so we'll start there.  Castle!  Ba-bam!  Finally!  Ok, the episode itself was pretty terrible because for some reason the showrunners use the season finales/premieres to abandon all the witty and glib humor that makes the show worth watching for heavy-handed, depressingly dramatic bullshit...but that doesn't mean that Nathan Fillion isn't AMAZING and TOTALLY THE BEST.  He delivers this speech that is pained and honest and beautiful and gratifying and Beckett, because she is an atrocious, selfish person, responds in an atrocious, selfish way.  Just watch:



But I never watched this show for her.  I've always known she's The Worst.  Like I said about last year's season finale, "We just want Castle and Beckett to make out.  It's all we've ever wanted."  And that's the truth. So I could care less about the crazy conspiracy and about Tahmoh Whatshisface from Dollhouse being a super-good murderer and about Esposito and Ryan's terminal cases of Serious Face and all of it, because at the end, not only did they make out hard-core, but they also definitely HAD THE SEX.  Which gives me great hopes for next season being less about Beckett's boring and illogical mental and emotional hangups and more about Castle and Beckett having all the sex.  I just can't believe it took FOUR SEASONS to get there.

Moving on.

Tuesday, May 8, 2012

These Are Links!

Just some stuff worth checking out.

First is this excellent interview with Tony Hale, whom we all know I adore, and he talks about The Creek!  It's awesome.

Next, also from the AV Club, is a really good article about ending shows before they get sad and terrible, much like we were just talking about.

And lastly, did you see Jason Segel be stoned and/or adorably nervous on The Daily Show a few weeks ago?  Priceless.

Go forth and see these things!

Friday, May 4, 2012

How I Met Your Mother: Growing Up & Losing "Friends"


Sometimes I wait so long to post not because I have nothing to say, but because I'm not sure how to say it.  Or because I keep waiting to get inspired by a show that has ceased to be inspiring.  This post is full of a bunch of things that've been rattling around in my brain and have finally reached the point where they need to be forced out.

Oh, How I Met Your Mother.  I have been meaning for months to write a post about how this season of HIMYM has been markedly better from last season (or, as I call it, The Jennifer Morrison Tragedy), but have been waiting for an exemplary episode to really bring it all together.  That episode never came.  After "The Ducky Tie" early on, so full of promises and hope and boobs, HIMYM has sort of evened out to a mostly enjoyable, mostly mediocre sitcom.  The performances of the actors continue to give the show life and spirit, but the writing just isn't as fresh.  If you go back to an episode from seasons 2, 3, or 4, you'll find it has an edge that these days, has been blunted.

Monday, April 23, 2012

Veep Life


So, in all of the miserable hubbub about Girls, no one is talking about Veep.  Well, not no one, I heard a thing about it on NPR, but you know what I mean.  But, hey!  Guess what?  Veep is fantastic!

I should have started by mentioning that this show co-stars Tony Hale, and obviously anything Tony Hale touches turns to beautiful gold, including that episode of Dawson's Creek where he tells Dawson he has to pull the old man's plug or when he was the amazing ceramics teacher on Community ("No Ghosting!").  So it should come as no surprise to anyone that his role on an HBO comedy is anything other than perfection.

And, oh!  Julia Louis-Dreyfus!  I mean, talk about women in comedy.  It might be a little unfair to compare Veep to Girls, but too bad so sad, they're on the same night on the same channel so I'ma do whatever I want.  Whereas Hannah in Girls is relentlessly pathetic and trying so hard to be REAL that she becomes REALly unbearable, Veep's Selena is flawed in some charming ways of which she seems hyper-aware yet simultaneously totally oblivious, but her shortcomings only make her more likable and relatable (which, sadly, is I believe what Dunham was trying to achieve). And just the fact that Veep's cast has an authentic gender-balance, actual characters of color, and shows a woman holding a serious position of power (and yet simultaneously no power at all because being the Vice President sucks) in our government makes in miles better in terms of "women characters on television" than anything I saw on Girls.  Point made, contradictions left unexplained, let's move on.

Monday, April 16, 2012

A Girls World

Ok, time to talk about Girls.


I've mentioned numerous times before that all-encompassing titles irk me.  Titles like Girls, Modern Family, Humboldt County, etc., that seem to purport to represent an idea, a place, or an entire group of people.  These titles set themselves up for failure, because there's no way they can be everything to everyone.  I came to Girls with this bias already in mind, and although brief moments of the show were enjoyable and fun, for the most part I found it excruciatingly insufferable.

To adequately discuss Girls, one must first have an understanding of Tiny Furniture.  Now, I kind of liked Lena Dunham's film, although I hated almost every character.  It was like they were insisting that "these are REAL characters, that's why they're stupid jerks to each other all the time", but just because real people are flawed doesn't mean that's ALL they are.  I have a similar problem with Girls, but we'll get to that in a second.  Tiny Furniture started out funny and relatable - English major, just out of college, forced to move in with her family - it pretty quickly turned frustratingly sad.  Dunham's characters, who appear to be autobiographical to some degree, are pathetic.  They struggle to maintain agency over their own lives, and when they finally attempt to assert themselves, they get in their own way.  It's not very much fun to watch, especially because by the end of the episode, I actually like every single character less than I did at the beginning.  Except the mom, because she (Leslie Ann Baker?) was great.  Seriously, they're all awful, but all of this leads to the real problem with Girls.

PRIVILEGE.  Ughhhhhhhhhh this show reeks of privilege.  White privilege, rich privilege, upper class city dweller privilege, legacy privilege, New-York-Is-The-Best-City-On-Earth-Ugh-Woody-Allen privilege, just all the horrible East Coasty privileges you can think of rolled into one giant rat king. And then everybody just fucking COMPLAINS for the ENTIRE show.  Boo fucking hoo, your parents have been supporting your life in The Most Expensive City Ever for TWO YEARS so you could work at an internship to advance your career except you were so used to being coddled and taken care of that you didn't think about maybe using the valuable experience you've gained to try to find a PAYING JOB even if it's not in your chosen field or whatever.  Sorry, let me just stop and think about the look on my parents' faces if I told them I needed them to give me $1100 a month.  AHAHAHAHAHAHAHAHA.  Oh, man.  Good one, guys.  I mean, yes, my parents have supported me and lent me money before, but, like 200 dollars to fix my car - like most people I know, they're not rich. Look, the truth is, Hannah and I have a few things in common.  We're twentysomething English majors a few years out of college with an eventual goal to write for a living.  The difference is I've been writing AND working for the past four years...just like everyone else.  Yes, a lot of people get support from their parents these days, and yes, it's hard to find a good job, but to be so upset and surprised about being cut off from your parents like it's this great injustice is just horrendous.